Ten million people left without power in latest of outages that sparked violent protest last weekend

Cuba’s national electric grid has collapsed, the country’s grid operator has said, leaving approximately 10 million people without power amid a US-imposed oil blockade that has crippled the island’s already obsolete generation system.

The grid operator, UNE, said on social media on Monday that it was investigating the causes of the blackout, the latest in a series of widespread outages that last for hours or days and that last weekend sparked a rare violent protest in the communist-run country.

Ten million people left without power in latest of outages that sparked violent protest last weekend

Cuba’s national electric grid has collapsed, the country’s grid operator has said, leaving approximately 10 million people without power amid a US-imposed oil blockade that has crippled the island’s already obsolete generation system.

The grid operator, UNE, said on social media on Monday that it was investigating the causes of the blackout, the latest in a series of widespread outages that last for hours or days and that last weekend sparked a rare violent protest in the communist-run country.

Ten million people left without power in latest of outages that sparked violent protest last weekend

Cuba’s national electric grid has collapsed, the country’s grid operator has said, leaving approximately 10 million people without power amid a US-imposed oil blockade that has crippled the island’s already obsolete generation system.

The grid operator, UNE, said on social media on Monday that it was investigating the causes of the blackout, the latest in a series of widespread outages that last for hours or days and that last weekend sparked a rare violent protest in the communist-run country.

Time is running out to find agreement on areas such as tuition fees EU citizens would pay in Britain and rules for food safety

The EU is hoping to urgently reboot talks on the “reset” of relations with the UK as negotiations are in danger of foundering before a planned July summit.

At a public meeting of the EU-UK parliamentary partnership assembly in Brussels, the European Commission vice-president and trade commissioner, Maroš Šefčovič, said both sides had to “change gears” now to ensure the deal got over the line.

Time is running out to find agreement on areas such as tuition fees EU citizens would pay in Britain and rules for food safety

The EU is hoping to urgently reboot talks on the “reset” of relations with the UK as negotiations are in danger of foundering before a planned July summit.

At a public meeting of the EU-UK parliamentary partnership assembly in Brussels, the European Commission vice-president and trade commissioner, Maroš Šefčovič, said both sides had to “change gears” now to ensure the deal got over the line.

Time is running out to find agreement on areas such as tuition fees EU citizens would pay in Britain and rules for food safety

The EU is hoping to urgently reboot talks on the “reset” of relations with the UK as negotiations are in danger of foundering before a planned July summit.

At a public meeting of the EU-UK parliamentary partnership assembly in Brussels, the European Commission vice-president and trade commissioner, Maroš Šefčovič, said both sides had to “change gears” now to ensure the deal got over the line.

The diversified Academy and a mutating industry have changed what many had come to expect from the stuffy, rule-following Oscars

Last year, as the major fall film festivals took place around the world, it was hard to make out the sound of audience applause. It wasn’t an attendance issue or that booing was heard instead (that’s solely a Cannes response), it was that, for many, hands were too busy wringing to find time to clap.

The trifecta of Venice, Telluride and Toronto was once seen as an inescapable fixture on a film’s road to the Oscars. Best picture winners such as 12 Years a Slave, Spotlight, Birdman, Moonlight, The Shape of Water and Green Book all rose within that circuit and cemented their reception at festivals and world premieres and often felt judged for awards potential over quality. But over the past few years, as the Academy has changed and diversified its voting body and as the industry has changed in so many other ways, something has shifted. Winning films have come from Cannes, Sundance, SXSW and, most shockingly, no festival at all …

The diversified Academy and a mutating industry have changed what many had come to expect from the stuffy, rule-following Oscars

Last year, as the major fall film festivals took place around the world, it was hard to make out the sound of audience applause. It wasn’t an attendance issue or that booing was heard instead (that’s solely a Cannes response), it was that, for many, hands were too busy wringing to find time to clap.

The trifecta of Venice, Telluride and Toronto was once seen as an inescapable fixture on a film’s road to the Oscars. Best picture winners such as 12 Years a Slave, Spotlight, Birdman, Moonlight, The Shape of Water and Green Book all rose within that circuit and cemented their reception at festivals and world premieres and often felt judged for awards potential over quality. But over the past few years, as the Academy has changed and diversified its voting body and as the industry has changed in so many other ways, something has shifted. Winning films have come from Cannes, Sundance, SXSW and, most shockingly, no festival at all …

The diversified Academy and a mutating industry have changed what many had come to expect from the stuffy, rule-following Oscars

Last year, as the major fall film festivals took place around the world, it was hard to make out the sound of audience applause. It wasn’t an attendance issue or that booing was heard instead (that’s solely a Cannes response), it was that, for many, hands were too busy wringing to find time to clap.

The trifecta of Venice, Telluride and Toronto was once seen as an inescapable fixture on a film’s road to the Oscars. Best picture winners such as 12 Years a Slave, Spotlight, Birdman, Moonlight, The Shape of Water and Green Book all rose within that circuit and cemented their reception at festivals and world premieres and often felt judged for awards potential over quality. But over the past few years, as the Academy has changed and diversified its voting body and as the industry has changed in so many other ways, something has shifted. Winning films have come from Cannes, Sundance, SXSW and, most shockingly, no festival at all …