Bridgewater Hall, Manchester
Receiving its UK premiere in a programme with Britten and Walton, Nico Muhly’s trumpet concerto is inspired by the instrument’s biblical – sometimes apocalyptic – associations

Audiences can be fickle. The Hallé ’s latest programme featured one of the world’s most celebrated trumpeters, a UK premiere from one of the world’s most high-profile living composers, and one of this country’s most successful young conductors – yet the Bridgewater Hall yawned with empty seats. Whatever the reasons, those who decided against booking missed an exhilarating evening.

It started politely enough, with the rollicking baroquery of Britten’s Courtly Dances from Gloriana . A set of Tudorbethan pastiches, these dances encourage orchestral good behaviour. But conductor Alpesh Chauhan also allowed glimpses of a harsher, modernist world outside in the viciously chirrupping winds and off-kilter repetitions of the central Morris Dance and the gleeful snaps and rattles of the closing Lavolta.

Bridgewater Hall, Manchester
Receiving its UK premiere in a programme with Britten and Walton, Nico Muhly’s trumpet concerto is inspired by the instrument’s biblical – sometimes apocalyptic – associations

Audiences can be fickle. The Hallé ’s latest programme featured one of the world’s most celebrated trumpeters, a UK premiere from one of the world’s most high-profile living composers, and one of this country’s most successful young conductors – yet the Bridgewater Hall yawned with empty seats. Whatever the reasons, those who decided against booking missed an exhilarating evening.

It started politely enough, with the rollicking baroquery of Britten’s Courtly Dances from Gloriana . A set of Tudorbethan pastiches, these dances encourage orchestral good behaviour. But conductor Alpesh Chauhan also allowed glimpses of a harsher, modernist world outside in the viciously chirrupping winds and off-kilter repetitions of the central Morris Dance and the gleeful snaps and rattles of the closing Lavolta.

Bridgewater Hall, Manchester
Receiving its UK premiere in a programme with Britten and Walton, Nico Muhly’s trumpet concerto is inspired by the instrument’s biblical – sometimes apocalyptic – associations

Audiences can be fickle. The Hallé ’s latest programme featured one of the world’s most celebrated trumpeters, a UK premiere from one of the world’s most high-profile living composers, and one of this country’s most successful young conductors – yet the Bridgewater Hall yawned with empty seats. Whatever the reasons, those who decided against booking missed an exhilarating evening.

It started politely enough, with the rollicking baroquery of Britten’s Courtly Dances from Gloriana . A set of Tudorbethan pastiches, these dances encourage orchestral good behaviour. But conductor Alpesh Chauhan also allowed glimpses of a harsher, modernist world outside in the viciously chirrupping winds and off-kilter repetitions of the central Morris Dance and the gleeful snaps and rattles of the closing Lavolta.