Hoddinott Hall, Cardiff
Joan Tower’s concerto for alto saxophone was brilliantly delivered by Steven Banks, part of a lively concert

The BBC National Orchestra of Wales is marking the 250th anniversary of the US Declaration of Independence in a series of concerts, and the UK premiere of Love Returns, by the 87-year-old American composer Joan Tower , was at the centre of this programme with Finnish conductor Tomas Djupsjöbacka .

Tower is best known for her Fanfare for the Uncommon Woman and, in this work, a concerto for alto saxophone, she has realised an uncommonly appealing piece. Its title relates to Tower’s use of a melody from her piano piece, Love Letter, written in memory of her late husband, as the basis for a theme and variations structure, as different from conventional concerto form as can be, evolving and gradually accelerating in tempo over its whole span of six sections. The only departure from this is in the fifth of the six: a solo saxophone cadenza, brilliantly delivered by soloist Steven Banks . His sometimes edgy, sometimes honeyed tone was wonderfully expressive throughout, whirling virtuoso passagework countered by aching lyricism, with Djupsjöbacka ensuring that Tower’s orchestral textures offered the optimal balance to the solo lines.

Hoddinott Hall, Cardiff
Joan Tower’s concerto for alto saxophone was brilliantly delivered by Steven Banks, part of a lively concert

The BBC National Orchestra of Wales is marking the 250th anniversary of the US Declaration of Independence in a series of concerts, and the UK premiere of Love Returns, by the 87-year-old American composer Joan Tower , was at the centre of this programme with Finnish conductor Tomas Djupsjöbacka .

Tower is best known for her Fanfare for the Uncommon Woman and, in this work, a concerto for alto saxophone, she has realised an uncommonly appealing piece. Its title relates to Tower’s use of a melody from her piano piece, Love Letter, written in memory of her late husband, as the basis for a theme and variations structure, as different from conventional concerto form as can be, evolving and gradually accelerating in tempo over its whole span of six sections. The only departure from this is in the fifth of the six: a solo saxophone cadenza, brilliantly delivered by soloist Steven Banks . His sometimes edgy, sometimes honeyed tone was wonderfully expressive throughout, whirling virtuoso passagework countered by aching lyricism, with Djupsjöbacka ensuring that Tower’s orchestral textures offered the optimal balance to the solo lines.

Hoddinott Hall, Cardiff
Joan Tower’s concerto for alto saxophone was brilliantly delivered by Steven Banks, part of a lively concert

The BBC National Orchestra of Wales is marking the 250th anniversary of the US Declaration of Independence in a series of concerts, and the UK premiere of Love Returns, by the 87-year-old American composer Joan Tower , was at the centre of this programme with Finnish conductor Tomas Djupsjöbacka .

Tower is best known for her Fanfare for the Uncommon Woman and, in this work, a concerto for alto saxophone, she has realised an uncommonly appealing piece. Its title relates to Tower’s use of a melody from her piano piece, Love Letter, written in memory of her late husband, as the basis for a theme and variations structure, as different from conventional concerto form as can be, evolving and gradually accelerating in tempo over its whole span of six sections. The only departure from this is in the fifth of the six: a solo saxophone cadenza, brilliantly delivered by soloist Steven Banks . His sometimes edgy, sometimes honeyed tone was wonderfully expressive throughout, whirling virtuoso passagework countered by aching lyricism, with Djupsjöbacka ensuring that Tower’s orchestral textures offered the optimal balance to the solo lines.