An exuberant, inspiring memoir from the New Yorker writer and author of The Orchid Thief

In 2017, 10 years after Susan Orlean profiled Caltech-trained physicist turned professional origami artist Robert Lang for the New Yorker, she attended the OrigamiUSA convention to take Lang’s workshop on folding a “Taiwan goldfish”. I was with her, a radio producer trying to capture the sounds of paper creasing as Orlean attempted to keep pace with the “Da Vinci of origami”, wincing when her goldfish’s fins didn’t exactly flutter in hydrodynamic splendour.

It was Orlean in her element: an adventurous student, inquisitive and exacting, fully alive to the mischief inherent to reporting – and primed to extract some higher truth. “When we first met you said something to me I’ve never forgotten,” Orlean told Lang. “That paper has a memory – that once you fold it, you can never entirely remove the fold.” Was that, she wondered, an insight about life, too?

An exuberant, inspiring memoir from the New Yorker writer and author of The Orchid Thief

In 2017, 10 years after Susan Orlean profiled Caltech-trained physicist turned professional origami artist Robert Lang for the New Yorker, she attended the OrigamiUSA convention to take Lang’s workshop on folding a “Taiwan goldfish”. I was with her, a radio producer trying to capture the sounds of paper creasing as Orlean attempted to keep pace with the “Da Vinci of origami”, wincing when her goldfish’s fins didn’t exactly flutter in hydrodynamic splendour.

It was Orlean in her element: an adventurous student, inquisitive and exacting, fully alive to the mischief inherent to reporting – and primed to extract some higher truth. “When we first met you said something to me I’ve never forgotten,” Orlean told Lang. “That paper has a memory – that once you fold it, you can never entirely remove the fold.” Was that, she wondered, an insight about life, too?

An exuberant, inspiring memoir from the New Yorker writer and author of The Orchid Thief

In 2017, 10 years after Susan Orlean profiled Caltech-trained physicist turned professional origami artist Robert Lang for the New Yorker, she attended the OrigamiUSA convention to take Lang’s workshop on folding a “Taiwan goldfish”. I was with her, a radio producer trying to capture the sounds of paper creasing as Orlean attempted to keep pace with the “Da Vinci of origami”, wincing when her goldfish’s fins didn’t exactly flutter in hydrodynamic splendour.

It was Orlean in her element: an adventurous student, inquisitive and exacting, fully alive to the mischief inherent to reporting – and primed to extract some higher truth. “When we first met you said something to me I’ve never forgotten,” Orlean told Lang. “That paper has a memory – that once you fold it, you can never entirely remove the fold.” Was that, she wondered, an insight about life, too?