(Knekelhuis)
Music boxes, miaows and strange melodies pepper the whimsical and charmingly lo-fi post-punk of Laurène Exposito and Théo Delaunay

The lyrics for Diagonale des Yeux’s debut album were written in the style of an exquisite corpse game, with members Laurène Exposito and Théo Delaunay taking it in turns to patch together ephemeral thoughts and themes in a mix of French, German, English and Spanish. The bizarre, multilingual stories that emerged match the French duo’s ramshackle, home-recorded sound, which features everything from toybox percussion to farmyard sound effects.

Their whimsical approach is anchored in the outsider pop and post-punk of 1980s Europe, which embraced discordant instrumentation and disaffected vocals. These 12 tracks are charmingly lo-fi, built around rudimentary synth and guitar melodies that often careen into strange directions. Acolytes jumps from frenetic punk jam into swooning breakdown and back again within just 90 seconds; Le Rayon Orchidée stumbles groggily to a halt like a malfunctioning music box. Both sing, adding to the theatrics: playing around with effects, they range from pitch-shifted, kitten-like miaows to macho groans.

(Knekelhuis)
Music boxes, miaows and strange melodies pepper the whimsical and charmingly lo-fi post-punk of Laurène Exposito and Théo Delaunay

The lyrics for Diagonale des Yeux’s debut album were written in the style of an exquisite corpse game, with members Laurène Exposito and Théo Delaunay taking it in turns to patch together ephemeral thoughts and themes in a mix of French, German, English and Spanish. The bizarre, multilingual stories that emerged match the French duo’s ramshackle, home-recorded sound, which features everything from toybox percussion to farmyard sound effects.

Their whimsical approach is anchored in the outsider pop and post-punk of 1980s Europe, which embraced discordant instrumentation and disaffected vocals. These 12 tracks are charmingly lo-fi, built around rudimentary synth and guitar melodies that often careen into strange directions. Acolytes jumps from frenetic punk jam into swooning breakdown and back again within just 90 seconds; Le Rayon Orchidée stumbles groggily to a halt like a malfunctioning music box. Both sing, adding to the theatrics: playing around with effects, they range from pitch-shifted, kitten-like miaows to macho groans.

(Knekelhuis)
Music boxes, miaows and strange melodies pepper the whimsical and charmingly lo-fi post-punk of Laurène Exposito and Théo Delaunay

The lyrics for Diagonale des Yeux’s debut album were written in the style of an exquisite corpse game, with members Laurène Exposito and Théo Delaunay taking it in turns to patch together ephemeral thoughts and themes in a mix of French, German, English and Spanish. The bizarre, multilingual stories that emerged match the French duo’s ramshackle, home-recorded sound, which features everything from toybox percussion to farmyard sound effects.

Their whimsical approach is anchored in the outsider pop and post-punk of 1980s Europe, which embraced discordant instrumentation and disaffected vocals. These 12 tracks are charmingly lo-fi, built around rudimentary synth and guitar melodies that often careen into strange directions. Acolytes jumps from frenetic punk jam into swooning breakdown and back again within just 90 seconds; Le Rayon Orchidée stumbles groggily to a halt like a malfunctioning music box. Both sing, adding to the theatrics: playing around with effects, they range from pitch-shifted, kitten-like miaows to macho groans.