(Good Boy)
Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments

Of all the things you might expect from a James Blake album – exquisite minimalism, plaintive vocal distortion, appearances from hip-hop’s great and good – chin-stroking socio0political commentary probably isn’t one of them. But as the title suggests, our current predicament is precisely what the 37-year-old aims to address on his seventh solo record. Unfortunately, preachy, banal sentiments (“Everyone’s getting different information / So how can we get on the same side?”) sit awkwardly amid the ethereal melancholia he long ago perfected as the poster boy for London’s 2010s indie-electronica scene.

Subsequently, however, Blake became better known for collaborating with huge US rappers, including Kanye West: the pair recorded a succession of still-unreleased tracks in 2022. Through the High Wire – seemingly a repurposing of one of those songs – scans as a bold defence of his disgraced former colleague. “People love a story,” croons Blake, explaining that “whispers change” until “we all fall from glory”.

(Good Boy)
Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments

Of all the things you might expect from a James Blake album – exquisite minimalism, plaintive vocal distortion, appearances from hip-hop’s great and good – chin-stroking socio0political commentary probably isn’t one of them. But as the title suggests, our current predicament is precisely what the 37-year-old aims to address on his seventh solo record. Unfortunately, preachy, banal sentiments (“Everyone’s getting different information / So how can we get on the same side?”) sit awkwardly amid the ethereal melancholia he long ago perfected as the poster boy for London’s 2010s indie-electronica scene.

Subsequently, however, Blake became better known for collaborating with huge US rappers, including Kanye West: the pair recorded a succession of still-unreleased tracks in 2022. Through the High Wire – seemingly a repurposing of one of those songs – scans as a bold defence of his disgraced former colleague. “People love a story,” croons Blake, explaining that “whispers change” until “we all fall from glory”.

(Good Boy)
Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments

Of all the things you might expect from a James Blake album – exquisite minimalism, plaintive vocal distortion, appearances from hip-hop’s great and good – chin-stroking socio0political commentary probably isn’t one of them. But as the title suggests, our current predicament is precisely what the 37-year-old aims to address on his seventh solo record. Unfortunately, preachy, banal sentiments (“Everyone’s getting different information / So how can we get on the same side?”) sit awkwardly amid the ethereal melancholia he long ago perfected as the poster boy for London’s 2010s indie-electronica scene.

Subsequently, however, Blake became better known for collaborating with huge US rappers, including Kanye West: the pair recorded a succession of still-unreleased tracks in 2022. Through the High Wire – seemingly a repurposing of one of those songs – scans as a bold defence of his disgraced former colleague. “People love a story,” croons Blake, explaining that “whispers change” until “we all fall from glory”.