Reacher’s Alan Ritchson takes on alien robots in an action thriller that benefits from some better-than-usual streaming special effects

You’d be forgiven for skipping past Netflix’s gory, militaristic action thriller War Machine at this particular moment. There is, after all, an actual war raging on (is there ever a good time, one could argue?) but those behind the film would likely use its sci-fi bent as a differentiation defense. The war being raged here is not between the US and a foreign earthly entity but rather one from somewhere above, our umpteenth soldiers v aliens matchup. It’s a clear “if you like” column filler for fans of Predator, Edge of Tomorrow or, if they exist, Battle: Los Angeles, yet unlike the many films it’s clearly inspired by, the extraterrestrials here are designed to resemble machines that could have originated from another country rather than another planet, robotic whirring over tentacle slithering.

It gives the film a slightly generic sheen, like a cheaper Transformers spin-off, but it’s also thankfully devoid of the dreaded Netflix murk, that flattening filter that reduces most colours to grey, the film an acquisition from Lionsgate. Set in Colorado but shot in Australia from native writer-director Patrick Hughes, and granted a theatrical release there last month, it makes for a slicker-than-usual streaming premiere, an easy, drink-your-way-through-it Friday night option for those who wish to remain entirely unchallenged.

Reacher’s Alan Ritchson takes on alien robots in an action thriller that benefits from some better-than-usual streaming special effects

You’d be forgiven for skipping past Netflix’s gory, militaristic action thriller War Machine at this particular moment. There is, after all, an actual war raging on (is there ever a good time, one could argue?) but those behind the film would likely use its sci-fi bent as a differentiation defense. The war being raged here is not between the US and a foreign earthly entity but rather one from somewhere above, our umpteenth soldiers v aliens matchup. It’s a clear “if you like” column filler for fans of Predator, Edge of Tomorrow or, if they exist, Battle: Los Angeles, yet unlike the many films it’s clearly inspired by, the extraterrestrials here are designed to resemble machines that could have originated from another country rather than another planet, robotic whirring over tentacle slithering.

It gives the film a slightly generic sheen, like a cheaper Transformers spin-off, but it’s also thankfully devoid of the dreaded Netflix murk, that flattening filter that reduces most colours to grey, the film an acquisition from Lionsgate. Set in Colorado but shot in Australia from native writer-director Patrick Hughes, and granted a theatrical release there last month, it makes for a slicker-than-usual streaming premiere, an easy, drink-your-way-through-it Friday night option for those who wish to remain entirely unchallenged.

Reacher’s Alan Ritchson takes on alien robots in an action thriller that benefits from some better-than-usual streaming special effects

You’d be forgiven for skipping past Netflix’s gory, militaristic action thriller War Machine at this particular moment. There is, after all, an actual war raging on (is there ever a good time, one could argue?) but those behind the film would likely use its sci-fi bent as a differentiation defense. The war being raged here is not between the US and a foreign earthly entity but rather one from somewhere above, our umpteenth soldiers v aliens matchup. It’s a clear “if you like” column filler for fans of Predator, Edge of Tomorrow or, if they exist, Battle: Los Angeles, yet unlike the many films it’s clearly inspired by, the extraterrestrials here are designed to resemble machines that could have originated from another country rather than another planet, robotic whirring over tentacle slithering.

It gives the film a slightly generic sheen, like a cheaper Transformers spin-off, but it’s also thankfully devoid of the dreaded Netflix murk, that flattening filter that reduces most colours to grey, the film an acquisition from Lionsgate. Set in Colorado but shot in Australia from native writer-director Patrick Hughes, and granted a theatrical release there last month, it makes for a slicker-than-usual streaming premiere, an easy, drink-your-way-through-it Friday night option for those who wish to remain entirely unchallenged.