Norwich Theatre Royal
There are eye-popping designs, playful puns and musical flourishes as Joe Tracini’s story unfolds on its own madcap shoreline

Here is a sun-kissed panto to dispel any dreams of a white Christmas. Joe Tracini’s script is set in the seaside town of Crabbington Sands where a pastel-dressed ensemble make merry with Aimee Leigh’s breezy choreography. Cinderella’s sisters, gruesome twosome Lou and Lav (cue toilet-flush effect), could have stepped out of an outrageously saucy postcard. Designer Kirsteen Wythe gifts them lurid costumes best seen with UV protection. They include a beach ball-shaped dress, a bucket-and-spade hat, fairground-ride frocks and wigs seemingly woven with fishing rope.

Cinderella’s parents ran a local hotel that has been shuttered since she lost them, and she yearns for new adventures, a longing captured in an opening rendition of Natasha Bedingfield’s Unwritten. In the lead role, Georgia May Foote brings a big sister vibe to her crowdwork with the young audience that also underlines how Cinders sees the hopelessly devoted Buttons (Tracini) as a brother. But she is written to be a bit insipid, and there is little spark to her romance with a wannabe rock-star prince (Danny Hatchard, poised between buffoon and decent bloke).

Norwich Theatre Royal
There are eye-popping designs, playful puns and musical flourishes as Joe Tracini’s story unfolds on its own madcap shoreline

Here is a sun-kissed panto to dispel any dreams of a white Christmas. Joe Tracini’s script is set in the seaside town of Crabbington Sands where a pastel-dressed ensemble make merry with Aimee Leigh’s breezy choreography. Cinderella’s sisters, gruesome twosome Lou and Lav (cue toilet-flush effect), could have stepped out of an outrageously saucy postcard. Designer Kirsteen Wythe gifts them lurid costumes best seen with UV protection. They include a beach ball-shaped dress, a bucket-and-spade hat, fairground-ride frocks and wigs seemingly woven with fishing rope.

Cinderella’s parents ran a local hotel that has been shuttered since she lost them, and she yearns for new adventures, a longing captured in an opening rendition of Natasha Bedingfield’s Unwritten. In the lead role, Georgia May Foote brings a big sister vibe to her crowdwork with the young audience that also underlines how Cinders sees the hopelessly devoted Buttons (Tracini) as a brother. But she is written to be a bit insipid, and there is little spark to her romance with a wannabe rock-star prince (Danny Hatchard, poised between buffoon and decent bloke).

Norwich Theatre Royal
There are eye-popping designs, playful puns and musical flourishes as Joe Tracini’s story unfolds on its own madcap shoreline

Here is a sun-kissed panto to dispel any dreams of a white Christmas. Joe Tracini’s script is set in the seaside town of Crabbington Sands where a pastel-dressed ensemble make merry with Aimee Leigh’s breezy choreography. Cinderella’s sisters, gruesome twosome Lou and Lav (cue toilet-flush effect), could have stepped out of an outrageously saucy postcard. Designer Kirsteen Wythe gifts them lurid costumes best seen with UV protection. They include a beach ball-shaped dress, a bucket-and-spade hat, fairground-ride frocks and wigs seemingly woven with fishing rope.

Cinderella’s parents ran a local hotel that has been shuttered since she lost them, and she yearns for new adventures, a longing captured in an opening rendition of Natasha Bedingfield’s Unwritten. In the lead role, Georgia May Foote brings a big sister vibe to her crowdwork with the young audience that also underlines how Cinders sees the hopelessly devoted Buttons (Tracini) as a brother. But she is written to be a bit insipid, and there is little spark to her romance with a wannabe rock-star prince (Danny Hatchard, poised between buffoon and decent bloke).