Glen Powell indulges in some murder most profitable, and the influential rap collective arrive in the UK complete with a clutch of peerless classics

How to Make a Killing
Out now
Loosely inspired by the much-loved Ealing comedy Kind Hearts and Coronets, here is a dark comedy that sees Glen Powell play an upwardly mobile schemer who isn’t afraid to murder his way to his inheritance. Directed by John Patton Ford (Emily the Criminal).

Reminders of Him
Out now
Maika Monroe (It Follows) stars as a woman who goes to prison following a car accident in which her boyfriend (Rudy Pankow) is killed. On release, she finds herself drawn to a handsome local bar owner (Tyriq Withers). Romance based on the bestselling Colleen Hoover novel.

Everybody to Kenmure Street
Out now
When the Home Office sent vehicles to Glasgow’s Kenmure Street to potentially deport some residents, everyone from the activist known as Van Man to a local imam to various schoolchildren spontaneously blocked the street. This documentary, winner of a special jury award at Sundance, tells the story of eight extraordinary hours in UK protest history.

A Pale View of Hills
Out now
Etsuko, a Japanese woman living in the UK, explores her memories of summer in 1950s Nagasaki, alongside an attempt to reckon with the more recent suicide of her daughter. Adaptation of Kazuo Ishiguro’s debut novel, starring Suzu Hirose, Fumi Nikaido and Yō Yoshida, and written and directed by Kei Ishikawa. Catherine Bray

Refusal to kowtow to US president has won public backing – and left Badenoch and Farage playing catch-up

It is not often that Keir Starmer’s allies believe he has Nigel Farage and Kemi Badenoch on the run – but on Iran, they think he is on the right side of history and public opinion.

“It could be the making of him,” said Emily Thornberry, the Labour chair of the foreign affairs committee, who was first out of the blocks to say she thought Donald Trump’s strikes on Iran were illegal. “You’ve not had a British prime minister say no to an American president since Vietnam. This is a big deal.”

Glen Powell indulges in some murder most profitable, and the influential rap collective arrive in the UK complete with a clutch of peerless classics

How to Make a Killing
Out now
Loosely inspired by the much-loved Ealing comedy Kind Hearts and Coronets, here is a dark comedy that sees Glen Powell play an upwardly mobile schemer who isn’t afraid to murder his way to his inheritance. Directed by John Patton Ford (Emily the Criminal).

Reminders of Him
Out now
Maika Monroe (It Follows) stars as a woman who goes to prison following a car accident in which her boyfriend (Rudy Pankow) is killed. On release, she finds herself drawn to a handsome local bar owner (Tyriq Withers). Romance based on the bestselling Colleen Hoover novel.

Everybody to Kenmure Street
Out now
When the Home Office sent vehicles to Glasgow’s Kenmure Street to potentially deport some residents, everyone from the activist known as Van Man to a local imam to various schoolchildren spontaneously blocked the street. This documentary, winner of a special jury award at Sundance, tells the story of eight extraordinary hours in UK protest history.

A Pale View of Hills
Out now
Etsuko, a Japanese woman living in the UK, explores her memories of summer in 1950s Nagasaki, alongside an attempt to reckon with the more recent suicide of her daughter. Adaptation of Kazuo Ishiguro’s debut novel, starring Suzu Hirose, Fumi Nikaido and Yō Yoshida, and written and directed by Kei Ishikawa. Catherine Bray

Exclusive: Lough Neagh, which supplies drinking water for 40% of NI, contains genes resistant to last-resort antibiotics

Genes capable of creating antibiotic-resistant superbugs have been detected in the UK’s largest lake, which supplies drinking water to about 40% of Northern Ireland.

Testing of water from Lough Neagh, which has a surface area 26 times bigger than Windermere, found genes resistant to a wide range of antibiotics, including carbapenems – drugs reserved for life-threatening infections when all other treatments have failed.

Exclusive: Lough Neagh, which supplies drinking water for 40% of NI, contains genes resistant to last-resort antibiotics

Genes capable of creating antibiotic-resistant superbugs have been detected in the UK’s largest lake, which supplies drinking water to about 40% of Northern Ireland.

Testing of water from Lough Neagh, which has a surface area 26 times bigger than Windermere, found genes resistant to a wide range of antibiotics, including carbapenems – drugs reserved for life-threatening infections when all other treatments have failed.

Exclusive: Lough Neagh, which supplies drinking water for 40% of NI, contains genes resistant to last-resort antibiotics

Genes capable of creating antibiotic-resistant superbugs have been detected in the UK’s largest lake, which supplies drinking water to about 40% of Northern Ireland.

Testing of water from Lough Neagh, which has a surface area 26 times bigger than Windermere, found genes resistant to a wide range of antibiotics, including carbapenems – drugs reserved for life-threatening infections when all other treatments have failed.

This yawnsome homespun six-parter from the creator of Yellowstone aims to teach the womenfolk a lesson by dropping them into untamed, plain-talkin’ Montana. It’s full of terrible jokes and cloying aphorisms

Preston Clyburn (Kurt Russell) is laughing at trout. “Hah-hah,” says the rugged retiree, up to his buttocks in river as a Yellowstone cutthroat sploshes obligingly into his net. “I’m keepin’ it, and you’re cookin’ it,” he barks at his younger brother, Paul, who would rather Preston release the hapless vertebrate back into the wild but nevertheless respects his sibling’s need to connect with his inner Cro-Magnon (“the love of fishin’ goes back to early man …”).

Paul is played by Matthew Fox, who was once in Lost but is now marooned in a drama that requires him to say things like: “I make a memory a day, brother … sometimes more.” Despite this, Paul, too, is laughing. “Heh,” he says, as he and Preston splash and frolic in their matching utility slacks. “Heheheh.”

She wasn’t a great one for dispensing wisdom. Instead, she fought for me whenever I most needed it

Mum was a brilliant non-giver of advice. Now Dad, he had his pearls. “If you do something, do it with a good heart.” It sounded platitudinous to me, but he had a point. And then there was his favourite: “If you think something bad about someone, say it up there [pointing to his head] but not out loud.” Dad was a good man, but that infuriated me.

Mum played a bigger part in my life. She often had to fight like crazy for me – to keep me in school when I’d told the dinner lady to fuck off at the age of five (no, I don’t know where it came from); to take on the doctors who labelled me a malingerer when I had encephalitis; to allow me back into mainstream education after I’d had three years off, and finally to persuade the University of Leeds to let me in after I’d messed up my A-levels.

This yawnsome homespun six-parter from the creator of Yellowstone aims to teach the womenfolk a lesson by dropping them into untamed, plain-talkin’ Montana. It’s full of terrible jokes and cloying aphorisms

Preston Clyburn (Kurt Russell) is laughing at trout. “Hah-hah,” says the rugged retiree, up to his buttocks in river as a Yellowstone cutthroat sploshes obligingly into his net. “I’m keepin’ it, and you’re cookin’ it,” he barks at his younger brother, Paul, who would rather Preston release the hapless vertebrate back into the wild but nevertheless respects his sibling’s need to connect with his inner Cro-Magnon (“the love of fishin’ goes back to early man …”).

Paul is played by Matthew Fox, who was once in Lost but is now marooned in a drama that requires him to say things like: “I make a memory a day, brother … sometimes more.” Despite this, Paul, too, is laughing. “Heh,” he says, as he and Preston splash and frolic in their matching utility slacks. “Heheheh.”