Films about prison abuse, ovarian cancer, women’s rights in Iran and more have impressed the Academy, but what real-world impact have they had?

• Oscars 2026: how to watch, nominations, what to read and predictions

The year 2025 was a banner one for nonfiction film, with several extraordinary documentaries that provided windows to unfathomable acts of courage, heart and vulnerability. Less so, unfortunately, for nonfiction cinema, it’s a difficult time for the production of politically challenging documentaries, whether in and about the US or abroad, and many projects struggled to find distribution after torturous paths to completion. (Cutting Through Rocks, the first Iranian documentary ever nominated for an Oscar, still has no streaming distribution and is only available in select theaters.)

Nevertheless, five incredible films make up the Oscars documentary slate this year – films that demonstrate how individual actions can challenge immense systems of oppression; how national agendas trickle into the idiosyncratic, marginal every day; and how one can find transcendence in the smallest of daily miracles. The very existence of these films feels improbable: one is composed almost entirely of police footage acquired through legal action. Another was filmed on contraband cell phones within Alabama state prisons. There’s a remarkably candid approach to processing terminal illness; an unprecedented record of Vladimir Putin’s propaganda efforts, filmed by a schoolteacher in rural Russia and smuggled out of the country; and an extremely rare glimpse into small-scale women’s rights efforts in north-west Iran.

Films about prison abuse, ovarian cancer, women’s rights in Iran and more have impressed the Academy, but what real-world impact have they had?

• Oscars 2026: how to watch, nominations, what to read and predictions

The year 2025 was a banner one for nonfiction film, with several extraordinary documentaries that provided windows to unfathomable acts of courage, heart and vulnerability. Less so, unfortunately, for nonfiction cinema, it’s a difficult time for the production of politically challenging documentaries, whether in and about the US or abroad, and many projects struggled to find distribution after torturous paths to completion. (Cutting Through Rocks, the first Iranian documentary ever nominated for an Oscar, still has no streaming distribution and is only available in select theaters.)

Nevertheless, five incredible films make up the Oscars documentary slate this year – films that demonstrate how individual actions can challenge immense systems of oppression; how national agendas trickle into the idiosyncratic, marginal every day; and how one can find transcendence in the smallest of daily miracles. The very existence of these films feels improbable: one is composed almost entirely of police footage acquired through legal action. Another was filmed on contraband cell phones within Alabama state prisons. There’s a remarkably candid approach to processing terminal illness; an unprecedented record of Vladimir Putin’s propaganda efforts, filmed by a schoolteacher in rural Russia and smuggled out of the country; and an extremely rare glimpse into small-scale women’s rights efforts in north-west Iran.

Films about prison abuse, ovarian cancer, women’s rights in Iran and more have impressed the Academy, but what real-world impact have they had?

• Oscars 2026: how to watch, nominations, what to read and predictions

The year 2025 was a banner one for nonfiction film, with several extraordinary documentaries that provided windows to unfathomable acts of courage, heart and vulnerability. Less so, unfortunately, for nonfiction cinema, it’s a difficult time for the production of politically challenging documentaries, whether in and about the US or abroad, and many projects struggled to find distribution after torturous paths to completion. (Cutting Through Rocks, the first Iranian documentary ever nominated for an Oscar, still has no streaming distribution and is only available in select theaters.)

Nevertheless, five incredible films make up the Oscars documentary slate this year – films that demonstrate how individual actions can challenge immense systems of oppression; how national agendas trickle into the idiosyncratic, marginal every day; and how one can find transcendence in the smallest of daily miracles. The very existence of these films feels improbable: one is composed almost entirely of police footage acquired through legal action. Another was filmed on contraband cell phones within Alabama state prisons. There’s a remarkably candid approach to processing terminal illness; an unprecedented record of Vladimir Putin’s propaganda efforts, filmed by a schoolteacher in rural Russia and smuggled out of the country; and an extremely rare glimpse into small-scale women’s rights efforts in north-west Iran.

Her research popularised the idea of the wood wide web, but the scientific backlash was brutal. As the author of The Mother Tree returns to the forest in a new book, she discusses her battle to reimagine our relationship with nature

In 2018, the ecologist and writer Suzanne Simard was conducting research in the forested Caribou Mountains of western Canada when a thunderstorm rolled in. She was with her two teenage daughters and her close friend and colleague, Jean Roach. They saw flashes of lightning, heard a loud rumble and then they smelled smoke. They were forced to run the half kilometre back to Simard’s truck as the trees behind them caught alight and the air grew thick. As they ran, animals burst out of the forest: a deer, a rabbit, a grey wolf. They reached the truck with no time to spare, all four of them covered in soot and dirt. Overhead, helicopters began circling the orange-black air, dropping water on the flames below.

Wildfires have become an ever bigger problem in Canada. The 2018 wildfires were the biggest in British Columbia’s history, but this record was broken in 2021, and then again in 2023, when fires consumed an area three times the size of the Canadian province of Nova Scotia and the smoke travelled as far as New York City. The cause is not only global heating, which has brought hotter, dryer summers, but also the changing makeup of the forest. When logging companies clear forest, they replant it with fast-growing conifer species, but these trees are much more flammable than Canada’s diverse, native forest.

Her research popularised the idea of the wood wide web, but the scientific backlash was brutal. As the author of The Mother Tree returns to the forest in a new book, she discusses her battle to reimagine our relationship with nature

In 2018, the ecologist and writer Suzanne Simard was conducting research in the forested Caribou Mountains of western Canada when a thunderstorm rolled in. She was with her two teenage daughters and her close friend and colleague, Jean Roach. They saw flashes of lightning, heard a loud rumble and then they smelled smoke. They were forced to run the half kilometre back to Simard’s truck as the trees behind them caught alight and the air grew thick. As they ran, animals burst out of the forest: a deer, a rabbit, a grey wolf. They reached the truck with no time to spare, all four of them covered in soot and dirt. Overhead, helicopters began circling the orange-black air, dropping water on the flames below.

Wildfires have become an ever bigger problem in Canada. The 2018 wildfires were the biggest in British Columbia’s history, but this record was broken in 2021, and then again in 2023, when fires consumed an area three times the size of the Canadian province of Nova Scotia and the smoke travelled as far as New York City. The cause is not only global heating, which has brought hotter, dryer summers, but also the changing makeup of the forest. When logging companies clear forest, they replant it with fast-growing conifer species, but these trees are much more flammable than Canada’s diverse, native forest.

Her research popularised the idea of the wood wide web, but the scientific backlash was brutal. As the author of The Mother Tree returns to the forest in a new book, she discusses her battle to reimagine our relationship with nature

In 2018, the ecologist and writer Suzanne Simard was conducting research in the forested Caribou Mountains of western Canada when a thunderstorm rolled in. She was with her two teenage daughters and her close friend and colleague, Jean Roach. They saw flashes of lightning, heard a loud rumble and then they smelled smoke. They were forced to run the half kilometre back to Simard’s truck as the trees behind them caught alight and the air grew thick. As they ran, animals burst out of the forest: a deer, a rabbit, a grey wolf. They reached the truck with no time to spare, all four of them covered in soot and dirt. Overhead, helicopters began circling the orange-black air, dropping water on the flames below.

Wildfires have become an ever bigger problem in Canada. The 2018 wildfires were the biggest in British Columbia’s history, but this record was broken in 2021, and then again in 2023, when fires consumed an area three times the size of the Canadian province of Nova Scotia and the smoke travelled as far as New York City. The cause is not only global heating, which has brought hotter, dryer summers, but also the changing makeup of the forest. When logging companies clear forest, they replant it with fast-growing conifer species, but these trees are much more flammable than Canada’s diverse, native forest.

⚽ News, buildup and discussion before today’s action
⚽ Premier League: 10 things to look out for | Get in touch

Pep Guardiola spoke to the press yesterday before West Ham v Manchester City today. In his usual understated style, Guardiola revealed that when he [perhaps the greatest manager in the world, in charge of a well-resourced and highly successful football club] loses a game 3-0, everyone makes a big ol’ fuss.

Oh Pep! Never change.

Clearly the suits at Sky Sports thought Wrexham v Swansea City on a Friday night needed its own sideshow. A clash between two historic Welsh clubs just five points apart in the battle for the Championship playoff places may not appeal to the TikTok generation. If only there were some Hollywood actors on hand to step into the content void, relegating Daniel Mann and Andy Hinchcliffe to second-string commentary choice.

Luckily, Wrexham’s co-owners Ryan Reynolds and Rob Mac were happy to oblige on the fifth anniversary of their £2m takeover of the then National League outfit. “As with our decision to take over Wrexham, we genuinely have no idea how this will go,” the pair chimed – presumably in unison – on a cheery press release before the broadcast.

⚽ News, buildup and discussion before today’s action
⚽ Premier League: 10 things to look out for | Get in touch

Pep Guardiola spoke to the press yesterday before West Ham v Manchester City today. In his usual understated style, Guardiola revealed that when he [perhaps the greatest manager in the world, in charge of a well-resourced and highly successful football club] loses a game 3-0, everyone makes a big ol’ fuss.

Oh Pep! Never change.

Clearly the suits at Sky Sports thought Wrexham v Swansea City on a Friday night needed its own sideshow. A clash between two historic Welsh clubs just five points apart in the battle for the Championship playoff places may not appeal to the TikTok generation. If only there were some Hollywood actors on hand to step into the content void, relegating Daniel Mann and Andy Hinchcliffe to second-string commentary choice.

Luckily, Wrexham’s co-owners Ryan Reynolds and Rob Mac were happy to oblige on the fifth anniversary of their £2m takeover of the then National League outfit. “As with our decision to take over Wrexham, we genuinely have no idea how this will go,” the pair chimed – presumably in unison – on a cheery press release before the broadcast.

⚽ News, buildup and discussion before today’s action
⚽ Premier League: 10 things to look out for | Get in touch

Pep Guardiola spoke to the press yesterday before West Ham v Manchester City today. In his usual understated style, Guardiola revealed that when he [perhaps the greatest manager in the world, in charge of a well-resourced and highly successful football club] loses a game 3-0, everyone makes a big ol’ fuss.

Oh Pep! Never change.

Clearly the suits at Sky Sports thought Wrexham v Swansea City on a Friday night needed its own sideshow. A clash between two historic Welsh clubs just five points apart in the battle for the Championship playoff places may not appeal to the TikTok generation. If only there were some Hollywood actors on hand to step into the content void, relegating Daniel Mann and Andy Hinchcliffe to second-string commentary choice.

Luckily, Wrexham’s co-owners Ryan Reynolds and Rob Mac were happy to oblige on the fifth anniversary of their £2m takeover of the then National League outfit. “As with our decision to take over Wrexham, we genuinely have no idea how this will go,” the pair chimed – presumably in unison – on a cheery press release before the broadcast.