Die Hard isn’t a Christmas film, claims the British public. But Pillion reminds us that the finest festive films reflect the complexities of the season

Can Die Hard – the 1988 action movie starring Bruce Willis as an NYPD detective hoping to reconcile with his estranged wife on Christmas Eve – be called a Christmas film? The annual debate had officially reached my street WhatsApp group when a happily married couple decided to launch a poll. With 18 votes against four, the result from my road was a landslide “yes”. One neighbour even shared a picture of their Die Hard tree baubles to prove the point.

But an official poll by the British Board of Film Classification has now asserted the contrary – with 44% deciding that Die Hard should not be designated a Christmas movie, against 38% in favour. To some, even with the odd tinsel-strewn tree thrown in, the gun fights, violence and hostage-taking just don’t feel festive. For an admirable 5% of respondents, it remains their favourite Christmas film of all time.

The term ceasefire ‘risks creating a dangerous illusion life is returning to normal’ for Palestinians squeezed into the remaining 42% of their land behind Israel’s ‘yellow line’

When Jumaa and Fadi Abu Assi went to look for firewood their parents thought they would be safe. They were just young boys, aged nine and 10 and, after all, a ceasefire had been declared in Gaza.

Their mother, Hala Abu Assi, was making tea in the family’s tent in Khan Younis when she heard an explosion, a missile fired by an Israeli drone. She ran to the scene – but it was too late.

Exclusive: ‘extremely unhelpful’ policy seen as deterrent to clearing thousands of dump sites across England

Millions of pounds in landfill tax owed to the government has to be paid by the Environment Agency (EA) if it clears any of the thousands of illegal waste dumps across the country.

Of the £15m that taxpayers are paying for the clearance of the only site the agency has committed to clearing up – a vast illegal dump at Hoad’s Wood in Kent – £4m is landfill tax.

Die Hard isn’t a Christmas film, claims the British public. But Pillion reminds us that the finest festive films reflect the complexities of the season

Can Die Hard – the 1988 action movie starring Bruce Willis as an NYPD detective hoping to reconcile with his estranged wife on Christmas Eve – be called a Christmas film? The annual debate had officially reached my street WhatsApp group when a happily married couple decided to launch a poll. With 18 votes against four, the result from my road was a landslide “yes”. One neighbour even shared a picture of their Die Hard tree baubles to prove the point.

But an official poll by the British Board of Film Classification has now asserted the contrary – with 44% deciding that Die Hard should not be designated a Christmas movie, against 38% in favour. To some, even with the odd tinsel-strewn tree thrown in, the gun fights, violence and hostage-taking just don’t feel festive. For an admirable 5% of respondents, it remains their favourite Christmas film of all time.

The term ceasefire ‘risks creating a dangerous illusion life is returning to normal’ for Palestinians squeezed into the remaining 42% of their land behind Israel’s ‘yellow line’

When Jumaa and Fadi Abu Assi went to look for firewood their parents thought they would be safe. They were just young boys, aged nine and 10 and, after all, a ceasefire had been declared in Gaza.

Their mother, Hala Abu Assi, was making tea in the family’s tent in Khan Younis when she heard an explosion, a missile fired by an Israeli drone. She ran to the scene – but it was too late.

Exclusive: ‘extremely unhelpful’ policy seen as deterrent to clearing thousands of dump sites across England

Millions of pounds in landfill tax owed to the government has to be paid by the Environment Agency (EA) if it clears any of the thousands of illegal waste dumps across the country.

Of the £15m that taxpayers are paying for the clearance of the only site the agency has committed to clearing up – a vast illegal dump at Hoad’s Wood in Kent – £4m is landfill tax.

The diminutive Derry Girls star isn’t afraid to speak her mind, even if it costs her fans and followers

Back in 2008, when Nicola Coughlan was at drama school, a guy in her class swaggered over and, with all the brimming confidence of young men in the noughties, asked her, “Do the Irish think the English are really cool?” Coughlan, born in Galway, mimes processing the question. “Well,” she said, “it’s quite complicated. Like, there’s a lot of history there, between the two countries. Like, there’s a lot going on.”

Today, people are more knowledgable about the history of the English in Ireland. Coughlan is happy about that. She’s also happy about the explosion of Irish storytelling in popular culture – Normal People , Trespasses , Small Things Like These , not to mention the series that made her name, Derry Girls . And she’s proud of young Irish actors – Paul Mescal, Barry Keoghan and Lola Petticrew, to name a few. She listens to bands such as Fontaines DC, CMAT and Kneecap. “It’s such a small country and the amount of creativity that comes out of Ireland is really extraordinary.”

The diminutive Derry Girls star isn’t afraid to speak her mind, even if it costs her fans and followers

Back in 2008, when Nicola Coughlan was at drama school, a guy in her class swaggered over and, with all the brimming confidence of young men in the noughties, asked her, “Do the Irish think the English are really cool?” Coughlan, born in Galway, mimes processing the question. “Well,” she said, “it’s quite complicated. Like, there’s a lot of history there, between the two countries. Like, there’s a lot going on.”

Today, people are more knowledgable about the history of the English in Ireland. Coughlan is happy about that. She’s also happy about the explosion of Irish storytelling in popular culture – Normal People , Trespasses , Small Things Like These , not to mention the series that made her name, Derry Girls . And she’s proud of young Irish actors – Paul Mescal, Barry Keoghan and Lola Petticrew, to name a few. She listens to bands such as Fontaines DC, CMAT and Kneecap. “It’s such a small country and the amount of creativity that comes out of Ireland is really extraordinary.”

The diminutive Derry Girls star isn’t afraid to speak her mind, even if it costs her fans and followers

Back in 2008, when Nicola Coughlan was at drama school, a guy in her class swaggered over and, with all the brimming confidence of young men in the noughties, asked her, “Do the Irish think the English are really cool?” Coughlan, born in Galway, mimes processing the question. “Well,” she said, “it’s quite complicated. Like, there’s a lot of history there, between the two countries. Like, there’s a lot going on.”

Today, people are more knowledgable about the history of the English in Ireland. Coughlan is happy about that. She’s also happy about the explosion of Irish storytelling in popular culture – Normal People , Trespasses , Small Things Like These , not to mention the series that made her name, Derry Girls . And she’s proud of young Irish actors – Paul Mescal, Barry Keoghan and Lola Petticrew, to name a few. She listens to bands such as Fontaines DC, CMAT and Kneecap. “It’s such a small country and the amount of creativity that comes out of Ireland is really extraordinary.”