Some say it’s overdiagnosis, others say it’s greater recognition. But it’s clear we must think about how our society is impacting human development

• Gabor Maté is the author of The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture

Does the rise in diagnoses of ADHD mean that normal feelings are being “over-pathologised”? The UK’s health secretary, Wes Streeting, seems to suspect so. He is said to be so concerned about a sharp rise in the number of people claiming sickness benefits that he has ordered a clinical review of the diagnosis of mental health conditions, and autism and ADHD.

I was diagnosed with ADHD (ADD, as it was then most often called) decades ago, in my early 50s. As I wrote in my book on the subject, Scattered Minds, it “seemed to explain many of my behaviour patterns, thought processes, childish emotional reactions, my workaholism and other addictive tendencies, the sudden eruptions of bad temper and complete irrationality, the conflicts in my marriage and my Jekyll and Hyde ways of relating to my children … It also explained my propensity to bump into doorways, hit my head on shelves, drop objects, and brush close to people before I notice they are there.”

Gabor Maté is an international public speaker and retired physician. His most recent book is The Myth of Normal: Illness, Health and Healing in a Toxic Culture

The Green party leader on his ‘floordrobe’, doomscrolling, and getting arrested on Waterloo Bridge

Born David Paulden in Greater Manchester, Zack Polanski, 43, changed his name at 18 to reflect his Jewish heritage. He studied acting at Aberystwyth University and worked in community theatre and as a hypnotherapist. In 2017, he joined the Greens. He was elected deputy leader in 2022 and leader in September. He lives in London with his partner.

When were you happiest?
Last summer with my boyfriend Richie. We had no plans – it was just wonderful.

Banks and specialist lenders will not pay tax on compensation payouts, sidestepping 2015 rule

Ministers are being urged to close a loophole that will allow UK banks and specialist lenders to avoid paying £2bn in tax on their payouts to motor finance scandal victims.

Under the current law, any operation that is not a bank can deduct compensation payments from their profits before calculating their corporation tax, reducing their bill.

Some say it’s overdiagnosis, others say it’s greater recognition. But it’s clear we must think about how our society is impacting human development

• Gabor Maté is the author of The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture

Does the rise in diagnoses of ADHD mean that normal feelings are being “over-pathologised”? The UK’s health secretary, Wes Streeting, seems to suspect so. He is said to be so concerned about a sharp rise in the number of people claiming sickness benefits that he has ordered a clinical review of the diagnosis of mental health conditions, and autism and ADHD.

I was diagnosed with ADHD (ADD, as it was then most often called) decades ago, in my early 50s. As I wrote in my book on the subject, Scattered Minds, it “seemed to explain many of my behaviour patterns, thought processes, childish emotional reactions, my workaholism and other addictive tendencies, the sudden eruptions of bad temper and complete irrationality, the conflicts in my marriage and my Jekyll and Hyde ways of relating to my children … It also explained my propensity to bump into doorways, hit my head on shelves, drop objects, and brush close to people before I notice they are there.”

Gabor Maté is an international public speaker and retired physician. His most recent book is The Myth of Normal: Illness, Health and Healing in a Toxic Culture

The Green party leader on his ‘floordrobe’, doomscrolling, and getting arrested on Waterloo Bridge

Born David Paulden in Greater Manchester, Zack Polanski, 43, changed his name at 18 to reflect his Jewish heritage. He studied acting at Aberystwyth University and worked in community theatre and as a hypnotherapist. In 2017, he joined the Greens. He was elected deputy leader in 2022 and leader in September. He lives in London with his partner.

When were you happiest?
Last summer with my boyfriend Richie. We had no plans – it was just wonderful.

Banks and specialist lenders will not pay tax on compensation payouts, sidestepping 2015 rule

Ministers are being urged to close a loophole that will allow UK banks and specialist lenders to avoid paying £2bn in tax on their payouts to motor finance scandal victims.

Under the current law, any operation that is not a bank can deduct compensation payments from their profits before calculating their corporation tax, reducing their bill.

Film-maker Marshall Curry pulls back the curtain on the beloved institution in a revealing and celebratory new film

When young film-makers ask Marshall Curry what makes a documentary idea, he tells them: “There are some stories that make great New Yorker articles, but they’re not movies.” It was only a matter of time before the director found himself testing his own wisdom with The New Yorker at 100, a new Netflix film about the magazine. “Somebody said to me that trying to make a 90-minute movie about the New Yorker was like trying to make a 90-minute movie about America. Ken Burns does that with one war.”

The film pulls back the curtain on the mystical media shop. Curry and his crew spent a year rummaging through the archives, listening in on production meetings, shadowing famous bylines – none more venerated in the industry than editor David Remnick, the magazine’s abiding leader. Curry had hoped to make a meal out of staffers pushing to meet the February 2025 publishing date, the magazine’s centennial anniversary issue, but the scenes he found didn’t quite approximate anything from the boiler room-centered dramas of film fiction or even The September Issue doc on Anna Wintour’s clannish Vogue operation. “I wanted to see people running around each other and saying, ‘We’ve got to get this thing done before the deadline!’” Curry says. “But they don’t do that.”

Film-maker Marshall Curry pulls back the curtain on the beloved institution in a revealing and celebratory new film

When young film-makers ask Marshall Curry what makes a documentary idea, he tells them: “There are some stories that make great New Yorker articles, but they’re not movies.” It was only a matter of time before the director found himself testing his own wisdom with The New Yorker at 100, a new Netflix film about the magazine. “Somebody said to me that trying to make a 90-minute movie about the New Yorker was like trying to make a 90-minute movie about America. Ken Burns does that with one war.”

The film pulls back the curtain on the mystical media shop. Curry and his crew spent a year rummaging through the archives, listening in on production meetings, shadowing famous bylines – none more venerated in the industry than editor David Remnick, the magazine’s abiding leader. Curry had hoped to make a meal out of staffers pushing to meet the February 2025 publishing date, the magazine’s centennial anniversary issue, but the scenes he found didn’t quite approximate anything from the boiler room-centered dramas of film fiction or even The September Issue doc on Anna Wintour’s clannish Vogue operation. “I wanted to see people running around each other and saying, ‘We’ve got to get this thing done before the deadline!’” Curry says. “But they don’t do that.”

Film-maker Marshall Curry pulls back the curtain on the beloved institution in a revealing and celebratory new film

When young film-makers ask Marshall Curry what makes a documentary idea, he tells them: “There are some stories that make great New Yorker articles, but they’re not movies.” It was only a matter of time before the director found himself testing his own wisdom with The New Yorker at 100, a new Netflix film about the magazine. “Somebody said to me that trying to make a 90-minute movie about the New Yorker was like trying to make a 90-minute movie about America. Ken Burns does that with one war.”

The film pulls back the curtain on the mystical media shop. Curry and his crew spent a year rummaging through the archives, listening in on production meetings, shadowing famous bylines – none more venerated in the industry than editor David Remnick, the magazine’s abiding leader. Curry had hoped to make a meal out of staffers pushing to meet the February 2025 publishing date, the magazine’s centennial anniversary issue, but the scenes he found didn’t quite approximate anything from the boiler room-centered dramas of film fiction or even The September Issue doc on Anna Wintour’s clannish Vogue operation. “I wanted to see people running around each other and saying, ‘We’ve got to get this thing done before the deadline!’” Curry says. “But they don’t do that.”