From digging trenches and building walls, to learning survival skills, Poland is increasingly aware of risks posed by its eastern neighbours

Cezary Pruszko still remembers the civil defence training of his Communist-era schooldays – map reading, survival skills, and a sense that the danger of war was real and ever present.

“My generation grew up with those threats. You didn’t have to explain why this mattered,” said the 60-year-old Pruszko, as he refreshed those skills at an army base outside Warsaw on a recent frosty Saturday morning. With dozens of other Polish civilians, he toured a bomb shelter, fitted gas masks and practised striking sparks from a flint to start a fire.

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Painting of Enlightenment figure, whose constitution for the island inspired revolutionaries in US, is up for auction

Thirty years ago, a painting by the British artist Sir William Beechey was sold as “portrait of a man”.

The anonymous buyer, however, knew precisely who the unnamed man in the picture was: Pascal Paoli, the 18th-century Corsican independence leader and icon of the Enlightenment.

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Exclusive: Campaign urges PM to show independence from US and push to rein in development of superintelligence

More than 100 UK parliamentarians are calling on the government to introduce binding regulations on the most powerful AI systems as concern grows that ministers are moving too slowly to create safeguards in the face of lobbying from the technology industry.

A former AI minister and defence secretary are part of a cross-party group of Westminster MPs, peers and elected members of the Scottish, Welsh and Northern Irish legislatures demanding stricter controls on frontier systems, citing fears superintelligent AI “would compromise national and global security”.

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From digging trenches and building walls, to learning survival skills, Poland is increasingly aware of risks posed by its eastern neighbours

Cezary Pruszko still remembers the civil defence training of his Communist-era schooldays – map reading, survival skills, and a sense that the danger of war was real and ever present.

“My generation grew up with those threats. You didn’t have to explain why this mattered,” said the 60-year-old Pruszko, as he refreshed those skills at an army base outside Warsaw on a recent frosty Saturday morning. With dozens of other Polish civilians, he toured a bomb shelter, fitted gas masks and practised striking sparks from a flint to start a fire.

Continue reading...

Painting of Enlightenment figure, whose constitution for the island inspired revolutionaries in US, is up for auction

Thirty years ago, a painting by the British artist Sir William Beechey was sold as “portrait of a man”.

The anonymous buyer, however, knew precisely who the unnamed man in the picture was: Pascal Paoli, the 18th-century Corsican independence leader and icon of the Enlightenment.

Continue reading...

Exclusive: Campaign urges PM to show independence from US and push to rein in development of superintelligence

More than 100 UK parliamentarians are calling on the government to introduce binding regulations on the most powerful AI systems as concern grows that ministers are moving too slowly to create safeguards in the face of lobbying from the technology industry.

A former AI minister and defence secretary are part of a cross-party group of Westminster MPs, peers and elected members of the Scottish, Welsh and Northern Irish legislatures demanding stricter controls on frontier systems, citing fears superintelligent AI “would compromise national and global security”.

Continue reading...

Until she reached her 50s, the actor was a constant presence on stage and screen. Then the offers disappeared. Now, as her renaissance continues, she is taking on Mrs Malaprop in The Rivals

After six decades as an actor, Patricia Hodge says she still gets nervous before a play opens. “I think nerves are always the fear of the unknown,” she says. “Particularly with comedy, where there is no knowing how the audience will react: you’ve got to surf that.”

We meet on a sunny winter morning at the Orange Tree theatre in Richmond, south-west London, where Hodge is about to appear in The Rivals, to celebrate the 250th anniversary of the Richard B Sheridan play, in which she plays the ironic – sorry, iconic – Mrs Malaprop. “You’re sort of in a tunnel, your entire being is focused on this,” she says. She was here in rehearsals until 11pm the night before. Today, she is sitting at a table with a large coffee. Does she enjoy this bit, the putting together of a play? “I think it’s love-hate actually. The process is really why I do theatre.” She says she finds it energising, “but it’s also very trying, and you just don’t want to be left with your own limitations”.

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He is the prickly, hotheaded journalist who uncovered the My Lai massacre in Vietnam and torture at Abu Ghraib prison. Making Cover-Up, a film about his astonishing life and countless scoops, was never going to be easy

One morning last month, Seymour Hersh set off to buy a newspaper. The reporter walked for 30 minutes, covered six blocks of his neighbourhood, Georgetown in Washington DC, and didn’t see a single sign of life. No newsstands on street corners selling the glossies and the dailies. No self-service kiosk where you can slide in a dollar and pull out a paper. “Finally, I found a drugstore that had two copies of the New York Times in the back,” Hersh recalls. He bought one for himself. He can’t help but wonder whether anybody bought the second.

Hersh was born in Chicago in 1937, the year the Hindenburg airship blew up and the aviator Amelia Earhart disappeared over the Pacific. That makes him a man of hot metal, the media’s ancient mariner, with metaphorical newsprint on his fingers and a cuttings file that reads like an index of American misadventure. Hersh has been a staff writer at the New York Times and the New Yorker. He’s broken stories on Vietnam, Watergate, Gaza and Ukraine. But the free press is in crisis, newspapers are in flux and investigative journalism may be facing a deadline of its own. “I don’t think I could do now what I did 30, 40, 50 years ago,” says the now 88-year-old. “The outlets aren’t there. The money’s not there. So I don’t know where we all are right now.”

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Until she reached her 50s, the actor was a constant presence on stage and screen. Then the offers disappeared. Now, as her renaissance continues, she is taking on Mrs Malaprop in The Rivals

After six decades as an actor, Patricia Hodge says she still gets nervous before a play opens. “I think nerves are always the fear of the unknown,” she says. “Particularly with comedy, where there is no knowing how the audience will react: you’ve got to surf that.”

We meet on a sunny winter morning at the Orange Tree theatre in Richmond, south-west London, where Hodge is about to appear in The Rivals, to celebrate the 250th anniversary of the Richard B Sheridan play, in which she plays the ironic – sorry, iconic – Mrs Malaprop. “You’re sort of in a tunnel, your entire being is focused on this,” she says. She was here in rehearsals until 11pm the night before. Today, she is sitting at a table with a large coffee. Does she enjoy this bit, the putting together of a play? “I think it’s love-hate actually. The process is really why I do theatre.” She says she finds it energising, “but it’s also very trying, and you just don’t want to be left with your own limitations”.

Continue reading...