From Franz Ferdinand fusing a basement pub’s lights to notorious high-rise flats just days before their demolition, a new show captures the changing city. Its photographers talk us through their shots

In the mid-1960s, with a shot called Beatle Girl, Joseph McKenzie made one of the most enduring images of Glasgow. His photograph showed a youngster in the slums of the Gorbals wearing a dirtied dress. Smiling and holding a cane, she stands next to a young woman who is wearing a dress patterned with the faces of the Fab Four.

Images like McKenzie’s, and the street photography of Oscar Marzaroli, came to define Glasgow’s distinctive character – its Victorian tenements, grit and hardiness – charting industrial boom and subsequent bust, cycles of dereliction, regeneration and demolition. But what happened next? Featuring 80 photographs by artists of different generations, Still Glasgow , at the city’s Gallery of Modern Art (GoMA), captures its changes and complexities through the eyes of people who have been there since the 1940s.

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From Franz Ferdinand fusing a basement pub’s lights to notorious high-rise flats just days before their demolition, a new show captures the changing city. Its photographers talk us through their shots

In the mid-1960s, with a shot called Beatle Girl, Joseph McKenzie made one of the most enduring images of Glasgow. His photograph showed a youngster in the slums of the Gorbals wearing a dirtied dress. Smiling and holding a cane, she stands next to a young woman who is wearing a dress patterned with the faces of the Fab Four.

Images like McKenzie’s, and the street photography of Oscar Marzaroli, came to define Glasgow’s distinctive character – its Victorian tenements, grit and hardiness – charting industrial boom and subsequent bust, cycles of dereliction, regeneration and demolition. But what happened next? Featuring 80 photographs by artists of different generations, Still Glasgow , at the city’s Gallery of Modern Art (GoMA), captures its changes and complexities through the eyes of people who have been there since the 1940s.

Continue reading...

From Franz Ferdinand fusing a basement pub’s lights to notorious high-rise flats just days before their demolition, a new show captures the changing city. Its photographers talk us through their shots

In the mid-1960s, with a shot called Beatle Girl, Joseph McKenzie made one of the most enduring images of Glasgow. His photograph showed a youngster in the slums of the Gorbals wearing a dirtied dress. Smiling and holding a cane, she stands next to a young woman who is wearing a dress patterned with the faces of the Fab Four.

Images like McKenzie’s, and the street photography of Oscar Marzaroli, came to define Glasgow’s distinctive character – its Victorian tenements, grit and hardiness – charting industrial boom and subsequent bust, cycles of dereliction, regeneration and demolition. But what happened next? Featuring 80 photographs by artists of different generations, Still Glasgow , at the city’s Gallery of Modern Art (GoMA), captures its changes and complexities through the eyes of people who have been there since the 1940s.

Continue reading...

Virus caught by person who travelled to Asia combines more severe form of mpox with less virulent type

Health officials have identified a new strain of mpox in England after a person who recently travelled to Asia was tested for the virus.

Genome sequencing showed that the virus was a “recombinant” form containing elements of two types of mpox currently in circulation: the more severe clade 1, and the less virulent clade 2, which sparked the 2022 global mpox outbreak.

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Virus caught by person who travelled to Asia combines more severe form of mpox with less virulent type

Health officials have identified a new strain of mpox in England after a person who recently travelled to Asia was tested for the virus.

Genome sequencing showed that the virus was a “recombinant” form containing elements of two types of mpox currently in circulation: the more severe clade 1, and the less virulent clade 2, which sparked the 2022 global mpox outbreak.

Continue reading...

Virus caught by person who travelled to Asia combines more severe form of mpox with less virulent type

Health officials have identified a new strain of mpox in England after a person who recently travelled to Asia was tested for the virus.

Genome sequencing showed that the virus was a “recombinant” form containing elements of two types of mpox currently in circulation: the more severe clade 1, and the less virulent clade 2, which sparked the 2022 global mpox outbreak.

Continue reading...

Artist, whose real name is Justin Clarke-Samuel, pleads guilty at Old Bailey to causing death of Yubin Tamang, 20, in hit-and-run

The rapper Ghetts pleaded guilty to causing the death of a student in a hit-and-run while driving dangerously.

The award-winning artist, whose real name is Justin Clarke-Samuel, appeared at the Old Bailey in London by video link from Pentonville prison and admitted causing the death of 20-year-old Yubin Tamang on 18 October.

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Artist, whose real name is Justin Clarke-Samuel, pleads guilty at Old Bailey to causing death of Yubin Tamang, 20, in hit-and-run

The rapper Ghetts pleaded guilty to causing the death of a student in a hit-and-run while driving dangerously.

The award-winning artist, whose real name is Justin Clarke-Samuel, appeared at the Old Bailey in London by video link from Pentonville prison and admitted causing the death of 20-year-old Yubin Tamang on 18 October.

Continue reading...

Artist, whose real name is Justin Clarke-Samuel, pleads guilty at Old Bailey to causing death of Yubin Tamang, 20, in hit-and-run

The rapper Ghetts pleaded guilty to causing the death of a student in a hit-and-run while driving dangerously.

The award-winning artist, whose real name is Justin Clarke-Samuel, appeared at the Old Bailey in London by video link from Pentonville prison and admitted causing the death of 20-year-old Yubin Tamang on 18 October.

Continue reading...