Sam Eng/Devolver Digital, PC, PS5, Switch 2
An exquisitely fluid game of tricks, grinds and manuals is framed by a story that uncovers the poignancy of the infamously painful pastime

Skateboarding video games live and die by their vibe. The original Tony Hawk’s Pro Skater titles were anarchic, arcade fun while the recent return of EA’s beloved Skate franchise offered competent yet jarringly corporate realism. Skate Story, which is mostly the work of solo developer Sam Eng, offers a more impressionistic interpretation while capturing something of the sport’s essential spirit. It transposes the boarding action to a demonic underworld where the aesthetic is less fire and brimstone than glittering, 2010s-era vaporwave. It is also the most emotionally real a skateboarding game has ever felt.

The premise is ingenious: you are a demon made out of “pain and glass”. Skate to the moon and swallow it, says the devil, and you shall be freed. So that is exactly what you do. You learn to ollie first, a “delicate, precise trick” according to the artfully written in-game text. Then come the pop shuvit, kickflip, heelflip and more.

Soon-to-be parents hired a woman they believed would act as a licensed midwife. But she in fact belonged to a radical society that was linked to baby deaths around the world

• Read more of the Guardian’s investigations into the Free Birth Society

Ernesta Chirwa recalls the jarring moment the woman she presumed was her midwife said something unexpected. Caitlyn Collins was driving her to hospital after 6am, on 15 February 2022. “She said,” says Chirwa, who is 30 and lives in Cape Town, “Please don’t mention to the nurses that we were trying to have a home birth.”

Chirwa was in too much pain to speak – she was in active labour. But she remembers feeling surprised. “Why,” Chirwa recalls, “is she asking us not to mention that we were trying to have a home birth?”

Sam Eng/Devolver Digital, PC, PS5, Switch 2
An exquisitely fluid game of tricks, grinds and manuals is framed by a story that uncovers the poignancy of the infamously painful pastime

Skateboarding video games live and die by their vibe. The original Tony Hawk’s Pro Skater titles were anarchic, arcade fun while the recent return of EA’s beloved Skate franchise offered competent yet jarringly corporate realism. Skate Story, which is mostly the work of solo developer Sam Eng, offers a more impressionistic interpretation while capturing something of the sport’s essential spirit. It transposes the boarding action to a demonic underworld where the aesthetic is less fire and brimstone than glittering, 2010s-era vaporwave. It is also the most emotionally real a skateboarding game has ever felt.

The premise is ingenious: you are a demon made out of “pain and glass”. Skate to the moon and swallow it, says the devil, and you shall be freed. So that is exactly what you do. You learn to ollie first, a “delicate, precise trick” according to the artfully written in-game text. Then come the pop shuvit, kickflip, heelflip and more.

Forecasters warn of possible damage to buildings, power cuts and travel disruption with heavy rain and gusts reaching 90mph

Devon and Cornwall police has asked people only to travel if absolutely necessary.

It said:

We’re already receiving lots of calls about incidents on roads across Devon and Cornwall this morning. Please only travel if absolutely necessary; drive at an appropriate speed and allow extra distance between other vehicles.

Forecasters warn of possible damage to buildings, power cuts and travel disruption with heavy rain and gusts reaching 90mph

Devon and Cornwall police has asked people only to travel if absolutely necessary.

It said:

We’re already receiving lots of calls about incidents on roads across Devon and Cornwall this morning. Please only travel if absolutely necessary; drive at an appropriate speed and allow extra distance between other vehicles.

Forecasters warn of possible damage to buildings, power cuts and travel disruption with heavy rain and gusts reaching 90mph

Devon and Cornwall police has asked people only to travel if absolutely necessary.

It said:

We’re already receiving lots of calls about incidents on roads across Devon and Cornwall this morning. Please only travel if absolutely necessary; drive at an appropriate speed and allow extra distance between other vehicles.

Looking for a new reading recommendation? Here are some brilliant new paperbacks, from a festive mystery to a kaleidoscopic ode to the animal kingdom

The unlikely story of an English girl catapulted to French fame – and a relationship with Serge Gainsbourg that resembled a piece of deranged performance art

Boarding a flight in 1983, Jane Birkin found herself wrestling with the open straw basket into which she habitually crammed everything from playscripts to nappies. As she reached for the overhead locker the basket overturned, spilling the contents on her neighbour. He turned out to be the chief executive of Hermès, the French luxury goods company, and immediately offered to make her a bag with internal pockets and a secure closure. Birkin sketched what she wanted on a sick bag and “The Birkin” was born: a slouchy trapezoid in finest leather complete with its own little padlock. These days a Birkin bag starts at around £10,000 while the original, made for Birkin herself, was auctioned this summer for £7.4m.

It is a tale that gets endlessly repeated thanks to its neat compression of the main beats of the Jane Birkin story. First, there’s the insouciance, the fact that the Anglo-French singer and actor never seemed to go after anything; rather, it came to her. Then there’s her lack of mortification at having her whole life upended on a strange man’s lap, nappies and all. Finally, there’s her refusal to feel overawed by her bounty. Birkin famously did not treat her Hermès bag with especial reverence, enthusiastically festooning it with charms, beads, stickers and ribbons. The trend for personalising your handbag with bits of tat was ubiquitous this summer, part of a wider revival of the Birkin aesthetic, comprising flared mid-wash jeans, peasanty cheesecloth blouses and ballet flats. You couldn’t avoid it if you tried.

UN GEO report says ending this harm key to global transformation required ‘before collapse becomes inevitable’

The unsustainable production of food and fossil fuels causes $5bn (£3.8bn) of environmental damage per hour, according to a major UN report.

Ending this harm was a key part of the global transformation of governance, economics and finance required “before collapse becomes inevitable”, the experts said.