Champ club have a plan to reach the top flight and hope investors will recognise their untapped potential

It is too early to declare it the feelgood British sports story of the decade. There remains much work to do and a lot more money to raise. But to be in the tented clubhouse at the Mennaye Field in Penzance is to feel a flicker of something genuinely interesting. While the flame may be faint, the dream of a top-level Cornwall-based professional rugby team is still alive.

Regular readers may recall embarking down this coastal path before. The Cornish Pirates’ longtime owner Dicky Evans, now Sir Richard, had hoped to move the club to a brand new Stadium for Cornwall near Truro, only for withdrawn government funding and local council politics to intervene. In March 2022 Evans, who turned 80 last month and is battling Parkinson’s, announced a three-year “sunset plan”, at the end of which his majority financial backing would cease.

Champ club have a plan to reach the top flight and hope investors will recognise their untapped potential

It is too early to declare it the feelgood British sports story of the decade. There remains much work to do and a lot more money to raise. But to be in the tented clubhouse at the Mennaye Field in Penzance is to feel a flicker of something genuinely interesting. While the flame may be faint, the dream of a top-level Cornwall-based professional rugby team is still alive.

Regular readers may recall embarking down this coastal path before. The Cornish Pirates’ longtime owner Dicky Evans, now Sir Richard, had hoped to move the club to a brand new Stadium for Cornwall near Truro, only for withdrawn government funding and local council politics to intervene. In March 2022 Evans, who turned 80 last month and is battling Parkinson’s, announced a three-year “sunset plan”, at the end of which his majority financial backing would cease.

Champ club have a plan to reach the top flight and hope investors will recognise their untapped potential

It is too early to declare it the feelgood British sports story of the decade. There remains much work to do and a lot more money to raise. But to be in the tented clubhouse at the Mennaye Field in Penzance is to feel a flicker of something genuinely interesting. While the flame may be faint, the dream of a top-level Cornwall-based professional rugby team is still alive.

Regular readers may recall embarking down this coastal path before. The Cornish Pirates’ longtime owner Dicky Evans, now Sir Richard, had hoped to move the club to a brand new Stadium for Cornwall near Truro, only for withdrawn government funding and local council politics to intervene. In March 2022 Evans, who turned 80 last month and is battling Parkinson’s, announced a three-year “sunset plan”, at the end of which his majority financial backing would cease.

While all eyes have been on the war in Gaza, Israel’s occupation of southern Syria has been intensifying, and since the fall of Bashar al-Assad’s regime in December 2024, Israeli forces have taken advantage of the country’s instability and launched frequent air strikes, ground incursions, and rejected the long standing disengagement agreement established in 1974. The Guardian's Will Christou travelled to Al Quineitra in southern Syria, to see what Israel's military presence has meant for those living there.

While all eyes have been on the war in Gaza, Israel’s occupation of southern Syria has been intensifying, and since the fall of Bashar al-Assad’s regime in December 2024, Israeli forces have taken advantage of the country’s instability and launched frequent air strikes, ground incursions, and rejected the long standing disengagement agreement established in 1974. The Guardian's Will Christou travelled to Al Quineitra in southern Syria, to see what Israel's military presence has meant for those living there.

While all eyes have been on the war in Gaza, Israel’s occupation of southern Syria has been intensifying, and since the fall of Bashar al-Assad’s regime in December 2024, Israeli forces have taken advantage of the country’s instability and launched frequent air strikes, ground incursions, and rejected the long standing disengagement agreement established in 1974. The Guardian's Will Christou travelled to Al Quineitra in southern Syria, to see what Israel's military presence has meant for those living there.

Hollywood is still trying to court younger audiences but this year’s crop of new comedies, from Adults to I Love LA, have yet to prove essential

This year, despite not particularly liking the show nor wanting to, I have thought a lot about the opening scene to Adults . The FX half-hour comedy about a group of recent college graduates in New York begins, naturally, on the subway; what seems like an over-studied portrait of early adulthood intimacy – tangled limbs, in-group references, aggressively relaxed banter – quickly devolves into a standoff between a creepy subway masturbator and the group’s instigator, Issa (Amita Rao), trying to out-masturbate him to make a wildly off point about feminism. “Is this the world you want?!?” she shouts at him, hand vigorously in pants.

The moment is intentionally off-putting, perhaps too much so – I’m as ripe as anyone for surprise, but found the try-hardness of this shock memorably irksome. Yet it’s also unintentionally revealing: this, it implicitly screams, is a show to get young people’s attention . A similar anxiety courses through the opening of I Love LA , HBO’s west-coast rejoinder to Adults that is similarly pitched as a zeitgeist-y take on the thrilling chaos of young adulthood. We meet Maia, played by creator and co-writer Rachel Sennott , mid-sex with her boyfriend, heedlessly determined to come before going to work, even if it means ignoring an earthquake.

Hollywood is still trying to court younger audiences but this year’s crop of new comedies, from Adults to I Love LA, have yet to prove essential

This year, despite not particularly liking the show nor wanting to, I have thought a lot about the opening scene to Adults . The FX half-hour comedy about a group of recent college graduates in New York begins, naturally, on the subway; what seems like an over-studied portrait of early adulthood intimacy – tangled limbs, in-group references, aggressively relaxed banter – quickly devolves into a standoff between a creepy subway masturbator and the group’s instigator, Issa (Amita Rao), trying to out-masturbate him to make a wildly off point about feminism. “Is this the world you want?!?” she shouts at him, hand vigorously in pants.

The moment is intentionally off-putting, perhaps too much so – I’m as ripe as anyone for surprise, but found the try-hardness of this shock memorably irksome. Yet it’s also unintentionally revealing: this, it implicitly screams, is a show to get young people’s attention . A similar anxiety courses through the opening of I Love LA , HBO’s west-coast rejoinder to Adults that is similarly pitched as a zeitgeist-y take on the thrilling chaos of young adulthood. We meet Maia, played by creator and co-writer Rachel Sennott , mid-sex with her boyfriend, heedlessly determined to come before going to work, even if it means ignoring an earthquake.

Hollywood is still trying to court younger audiences but this year’s crop of new comedies, from Adults to I Love LA, have yet to prove essential

This year, despite not particularly liking the show nor wanting to, I have thought a lot about the opening scene to Adults . The FX half-hour comedy about a group of recent college graduates in New York begins, naturally, on the subway; what seems like an over-studied portrait of early adulthood intimacy – tangled limbs, in-group references, aggressively relaxed banter – quickly devolves into a standoff between a creepy subway masturbator and the group’s instigator, Issa (Amita Rao), trying to out-masturbate him to make a wildly off point about feminism. “Is this the world you want?!?” she shouts at him, hand vigorously in pants.

The moment is intentionally off-putting, perhaps too much so – I’m as ripe as anyone for surprise, but found the try-hardness of this shock memorably irksome. Yet it’s also unintentionally revealing: this, it implicitly screams, is a show to get young people’s attention . A similar anxiety courses through the opening of I Love LA , HBO’s west-coast rejoinder to Adults that is similarly pitched as a zeitgeist-y take on the thrilling chaos of young adulthood. We meet Maia, played by creator and co-writer Rachel Sennott , mid-sex with her boyfriend, heedlessly determined to come before going to work, even if it means ignoring an earthquake.