Bibby Boys photo exhibition documents experiences of the men who lived on the former asylum seeker vessel in Dorset and the local community that rallied around them

The Bibby Stockholm barge, which was moored off Portland, Dorset to accommodate asylum seekers, attracted many negative headlines – from evacuation after the discovery of legionella bacteria , to the suicide of Albanian asylum seeker Leonard Farruku and angry far-right protests.

But an exhibition launching this week reveals a less reported side of life on the barge, where enduring connections between asylum seekers and members of the local community were forged and continue long after the last group of asylum seekers left the vessel in November 2024.

Bibby Boys photo exhibition documents experiences of the men who lived on the former asylum seeker vessel in Dorset and the local community that rallied around them

The Bibby Stockholm barge, which was moored off Portland, Dorset to accommodate asylum seekers, attracted many negative headlines – from evacuation after the discovery of legionella bacteria , to the suicide of Albanian asylum seeker Leonard Farruku and angry far-right protests.

But an exhibition launching this week reveals a less reported side of life on the barge, where enduring connections between asylum seekers and members of the local community were forged and continue long after the last group of asylum seekers left the vessel in November 2024.

Bibby Boys photo exhibition documents experiences of the men who lived on the former asylum seeker vessel in Dorset and the local community that rallied around them

The Bibby Stockholm barge, which was moored off Portland, Dorset to accommodate asylum seekers, attracted many negative headlines – from evacuation after the discovery of legionella bacteria , to the suicide of Albanian asylum seeker Leonard Farruku and angry far-right protests.

But an exhibition launching this week reveals a less reported side of life on the barge, where enduring connections between asylum seekers and members of the local community were forged and continue long after the last group of asylum seekers left the vessel in November 2024.

Sonia Bompastor ‘a bit sad’ at League Cup changes while Andrée Jeglertz steels Manchester City for season’s climax

Sonia Bompastor said losing the opportunity to play in the League Cup was a “bit sad,” but she understood the reason for excluding teams that qualify for the Champions League next season. With Chelsea rarely outside the European places the Blues’ 2-0 League Cup final victory over Manchester United on Sunday may well be their last foray in the competition for some time. “I think I understand the reason why the decision is made,” she said after goals from Lauren James and Aggie Beever-Jones secured the win. “For a club like Chelsea, we are playing a lot of games, our schedule is busy, so I understand the reason behind the decision. As much as we want to be competing in every competition and going as far as possible and grabbing as many titles and trophies as possible, I understand. Of course, when you have one competition that is probably going away from you it’s a bit sad.” Suzanne Wrack

Sonia Bompastor ‘a bit sad’ at League Cup changes while Andrée Jeglertz steels Manchester City for season’s climax

Sonia Bompastor said losing the opportunity to play in the League Cup was a “bit sad,” but she understood the reason for excluding teams that qualify for the Champions League next season. With Chelsea rarely outside the European places the Blues’ 2-0 League Cup final victory over Manchester United on Sunday may well be their last foray in the competition for some time. “I think I understand the reason why the decision is made,” she said after goals from Lauren James and Aggie Beever-Jones secured the win. “For a club like Chelsea, we are playing a lot of games, our schedule is busy, so I understand the reason behind the decision. As much as we want to be competing in every competition and going as far as possible and grabbing as many titles and trophies as possible, I understand. Of course, when you have one competition that is probably going away from you it’s a bit sad.” Suzanne Wrack

Sonia Bompastor ‘a bit sad’ at League Cup changes while Andrée Jeglertz steels Manchester City for season’s climax

Sonia Bompastor said losing the opportunity to play in the League Cup was a “bit sad,” but she understood the reason for excluding teams that qualify for the Champions League next season. With Chelsea rarely outside the European places the Blues’ 2-0 League Cup final victory over Manchester United on Sunday may well be their last foray in the competition for some time. “I think I understand the reason why the decision is made,” she said after goals from Lauren James and Aggie Beever-Jones secured the win. “For a club like Chelsea, we are playing a lot of games, our schedule is busy, so I understand the reason behind the decision. As much as we want to be competing in every competition and going as far as possible and grabbing as many titles and trophies as possible, I understand. Of course, when you have one competition that is probably going away from you it’s a bit sad.” Suzanne Wrack

The final series of the BBC’s sharp sendup of boarding school in the UK is a riot of sex, scandals and final exams. This is striking, charming TV that has been impressive from first to last

Daniel Lawrence Taylor’s teen drama Boarders is a bit of a Trojan horse. From the aesthetic, you’d be forgiven for mistaking it for a shiny CBBC comedy. But the series, which follows a group of Black, inner-city teens through the looking-glass into an elite boarding school, is a sharp satire of these institutions. It doesn’t just take aim at the pomp and tradition of British boarding schools – although there’s plenty of familiar sending up of rugby lads. It also goes further to explore the range of incredibly complex dynamics that emerge every day for Black people in elite institutions.

Take its first two seasons, which took an unexpectedly cynical look at the business of diversity, equality and inclusion. After the teens enrol at the fictional St Gilbert’s, it quickly emerges that their scholarship programme is an attempt to rehabilitate the school’s image, which took a knock after a pupil poured champagne on a homeless man.

The final series of the BBC’s sharp sendup of boarding school in the UK is a riot of sex, scandals and final exams. This is striking, charming TV that has been impressive from first to last

Daniel Lawrence Taylor’s teen drama Boarders is a bit of a Trojan horse. From the aesthetic, you’d be forgiven for mistaking it for a shiny CBBC comedy. But the series, which follows a group of Black, inner-city teens through the looking-glass into an elite boarding school, is a sharp satire of these institutions. It doesn’t just take aim at the pomp and tradition of British boarding schools – although there’s plenty of familiar sending up of rugby lads. It also goes further to explore the range of incredibly complex dynamics that emerge every day for Black people in elite institutions.

Take its first two seasons, which took an unexpectedly cynical look at the business of diversity, equality and inclusion. After the teens enrol at the fictional St Gilbert’s, it quickly emerges that their scholarship programme is an attempt to rehabilitate the school’s image, which took a knock after a pupil poured champagne on a homeless man.

The final series of the BBC’s sharp sendup of boarding school in the UK is a riot of sex, scandals and final exams. This is striking, charming TV that has been impressive from first to last

Daniel Lawrence Taylor’s teen drama Boarders is a bit of a Trojan horse. From the aesthetic, you’d be forgiven for mistaking it for a shiny CBBC comedy. But the series, which follows a group of Black, inner-city teens through the looking-glass into an elite boarding school, is a sharp satire of these institutions. It doesn’t just take aim at the pomp and tradition of British boarding schools – although there’s plenty of familiar sending up of rugby lads. It also goes further to explore the range of incredibly complex dynamics that emerge every day for Black people in elite institutions.

Take its first two seasons, which took an unexpectedly cynical look at the business of diversity, equality and inclusion. After the teens enrol at the fictional St Gilbert’s, it quickly emerges that their scholarship programme is an attempt to rehabilitate the school’s image, which took a knock after a pupil poured champagne on a homeless man.