Lullaby features Palestinian singer, lyrics written by Peter Gabriel and artists including Eno and Celeste

The Together for Palestine fund is trying to get a Palestinian lullaby to Christmas No 1 in the UK charts in an effort to help provide aid to the people of Gaza, but also showcase their culture and creativity.

The musician Brian Eno, who performs on the track, said Lullaby, which will be released on Friday, is a chance to support Palestinians over Christmas and potentially stage an unlikely coup by getting to No 1.

Youthful side struggles off the ball and head coach knows more control is needed to take big prizes this season

“Some things were happening,” Josko Gvardiol said, with glorious understatement, as he reflected on the chaos of Manchester City’s start at Real Madrid in the Champions League on Wednesday night. The defender had been guilty of a lapse at the very outset, caught in possession, Madrid suddenly in and running. Then, there was the penalty that was not.

It was a reckless swipe in the third minute by Matheus Nunes on Vinícius Júnior, the referee, Clément Turpin, pointing to the spot only for the VAR to step in and rule that the offence was fractionally outside the area. City’s heads spun and a tone was set. The opening half-hour was an uncomfortable experience for them and by the time that spell had ended, Madrid were 1-0 up through Rodrygo and looking good for a much-needed victory.

Lullaby features Palestinian singer, lyrics written by Peter Gabriel and artists including Eno and Celeste

The Together for Palestine fund is trying to get a Palestinian lullaby to Christmas No 1 in the UK charts in an effort to help provide aid to the people of Gaza, but also showcase their culture and creativity.

The musician Brian Eno, who performs on the track, said Lullaby, which will be released on Friday, is a chance to support Palestinians over Christmas and potentially stage an unlikely coup by getting to No 1.

Youthful side struggles off the ball and head coach knows more control is needed to take big prizes this season

“Some things were happening,” Josko Gvardiol said, with glorious understatement, as he reflected on the chaos of Manchester City’s start at Real Madrid in the Champions League on Wednesday night. The defender had been guilty of a lapse at the very outset, caught in possession, Madrid suddenly in and running. Then, there was the penalty that was not.

It was a reckless swipe in the third minute by Matheus Nunes on Vinícius Júnior, the referee, Clément Turpin, pointing to the spot only for the VAR to step in and rule that the offence was fractionally outside the area. City’s heads spun and a tone was set. The opening half-hour was an uncomfortable experience for them and by the time that spell had ended, Madrid were 1-0 up through Rodrygo and looking good for a much-needed victory.

Lullaby features Palestinian singer, lyrics written by Peter Gabriel and artists including Eno and Celeste

The Together for Palestine fund is trying to get a Palestinian lullaby to Christmas No 1 in the UK charts in an effort to help provide aid to the people of Gaza, but also showcase their culture and creativity.

The musician Brian Eno, who performs on the track, said Lullaby, which will be released on Friday, is a chance to support Palestinians over Christmas and potentially stage an unlikely coup by getting to No 1.

Youthful side struggles off the ball and head coach knows more control is needed to take big prizes this season

“Some things were happening,” Josko Gvardiol said, with glorious understatement, as he reflected on the chaos of Manchester City’s start at Real Madrid in the Champions League on Wednesday night. The defender had been guilty of a lapse at the very outset, caught in possession, Madrid suddenly in and running. Then, there was the penalty that was not.

It was a reckless swipe in the third minute by Matheus Nunes on Vinícius Júnior, the referee, Clément Turpin, pointing to the spot only for the VAR to step in and rule that the offence was fractionally outside the area. City’s heads spun and a tone was set. The opening half-hour was an uncomfortable experience for them and by the time that spell had ended, Madrid were 1-0 up through Rodrygo and looking good for a much-needed victory.

Japan House, London
The fruit of a two-year odyssey through the workshops of artisans using ancient techniques, this delightful show features rippling chestnut trays, exquisitely turned kettles and vessels crafted from petrified leather

As a retort to the doom-mongering prognostications of AI’s dominance over human creativity, it is momentarily comforting to tally up the things it cannot do. It cannot throw a pot, blow glass, beat metal, weave bamboo or turn wood. Perhaps, when it has assumed absolute control of human consciousness and the machinery of mass production, it will be able to. But for now, throwing a vessel and weighing its heft in your hand, or carving a tray and sizing up its form with your eye are still the preserve of skilled craftspeople, using techniques their distant ancestors would recognise.

On show at London’s Japan House is the work of more than 100 pairs of eyes and hands, constituting an overwhelming profusion of human creativity, corralled into an exhibition of laconic simplicity. About 2,000 objects – bowls, trays, cups, metalwork, glassware and some perplexing bamboo cocoons – are grouped according to their makers on long, softly lit display tables. At first glance, you might think you have stumbled into an especially refined John Lewis homeware department, but then you notice the delicate black and red lacquer work, the gleaming gold on the inside of a perfectly shaped sake cup, the intricacy of the bamboo and some eccentrically shaped vessels, like alien seedpods, that look like ceramics but turn out be a kind of petrified leather.

Japan House, London
The fruit of a two-year odyssey through the workshops of artisans using ancient techniques, this delightful show features rippling chestnut trays, exquisitely turned kettles and vessels crafted from petrified leather

As a retort to the doom-mongering prognostications of AI’s dominance over human creativity, it is momentarily comforting to tally up the things it cannot do. It cannot throw a pot, blow glass, beat metal, weave bamboo or turn wood. Perhaps, when it has assumed absolute control of human consciousness and the machinery of mass production, it will be able to. But for now, throwing a vessel and weighing its heft in your hand, or carving a tray and sizing up its form with your eye are still the preserve of skilled craftspeople, using techniques their distant ancestors would recognise.

On show at London’s Japan House is the work of more than 100 pairs of eyes and hands, constituting an overwhelming profusion of human creativity, corralled into an exhibition of laconic simplicity. About 2,000 objects – bowls, trays, cups, metalwork, glassware and some perplexing bamboo cocoons – are grouped according to their makers on long, softly lit display tables. At first glance, you might think you have stumbled into an especially refined John Lewis homeware department, but then you notice the delicate black and red lacquer work, the gleaming gold on the inside of a perfectly shaped sake cup, the intricacy of the bamboo and some eccentrically shaped vessels, like alien seedpods, that look like ceramics but turn out be a kind of petrified leather.

Japan House, London
The fruit of a two-year odyssey through the workshops of artisans using ancient techniques, this delightful show features rippling chestnut trays, exquisitely turned kettles and vessels crafted from petrified leather

As a retort to the doom-mongering prognostications of AI’s dominance over human creativity, it is momentarily comforting to tally up the things it cannot do. It cannot throw a pot, blow glass, beat metal, weave bamboo or turn wood. Perhaps, when it has assumed absolute control of human consciousness and the machinery of mass production, it will be able to. But for now, throwing a vessel and weighing its heft in your hand, or carving a tray and sizing up its form with your eye are still the preserve of skilled craftspeople, using techniques their distant ancestors would recognise.

On show at London’s Japan House is the work of more than 100 pairs of eyes and hands, constituting an overwhelming profusion of human creativity, corralled into an exhibition of laconic simplicity. About 2,000 objects – bowls, trays, cups, metalwork, glassware and some perplexing bamboo cocoons – are grouped according to their makers on long, softly lit display tables. At first glance, you might think you have stumbled into an especially refined John Lewis homeware department, but then you notice the delicate black and red lacquer work, the gleaming gold on the inside of a perfectly shaped sake cup, the intricacy of the bamboo and some eccentrically shaped vessels, like alien seedpods, that look like ceramics but turn out be a kind of petrified leather.