Andy Burnham unveils next step in transport system, allowing contactless travel with fares capped across trains, buses and trams

The first passenger trains in the Bee Network will join by the end of 2026, after Greater Manchester disclosed the next steps in its ambitious transport system.

Unveiling a yellow-branded Northern train, the regional mayor, Andy Burnham, said two lines from central Manchester – to Glossop and Stalybridge – would join the network in a year, allowing contactless travel with fares capped across trains, buses and trams.

Andy Burnham unveils next step in transport system, allowing contactless travel with fares capped across trains, buses and trams

The first passenger trains in the Bee Network will join by the end of 2026, after Greater Manchester disclosed the next steps in its ambitious transport system.

Unveiling a yellow-branded Northern train, the regional mayor, Andy Burnham, said two lines from central Manchester – to Glossop and Stalybridge – would join the network in a year, allowing contactless travel with fares capped across trains, buses and trams.

Andy Burnham unveils next step in transport system, allowing contactless travel with fares capped across trains, buses and trams

The first passenger trains in the Bee Network will join by the end of 2026, after Greater Manchester disclosed the next steps in its ambitious transport system.

Unveiling a yellow-branded Northern train, the regional mayor, Andy Burnham, said two lines from central Manchester – to Glossop and Stalybridge – would join the network in a year, allowing contactless travel with fares capped across trains, buses and trams.

Star turns from Helen Mirren, Andrea Riseborough and Toni Colette can’t stop cartoony sentimentality smothering this film directed by Winslet and written by her son Joe Anders

Kate Winslet’s feature directing debut is a family movie, scripted by her son Joe Anders; it’s a well-intentioned and starrily cast yuletide heartwarmer, like a two-hour John Lewis Christmas TV ad without the logo at the end. There are one or two nice lines and sharp moments but they are submerged in a treacly soup of sentimentality; in the end, I couldn’t get past the cartoony quasi-Richard Curtis characterisation and the weird not-quite-earthlingness of the people involved. Having said this, I am aware of having been first in the queue to denigrate Winslet’s Christmas film The Holiday , that is regarded by many as one of the most successful films of all time.

Helen Mirren is the June of the title, an affectionate but sharp-tongued matriarch who is diagnosed with terminal cancer in the run-up to Christmas, and her entire quarrelling clan will have to assemble in her hospital room. June, with a kind of benign cunning, realises that she can use her last days as a cathartic crisis that will cure her adult children’s unspoken hurt. They are a stressed careerist (Winslet), a stay-at-home mum (Andrea Riseborough), a hippy-dippy natural birth counsellor (Toni Collette) and a troubled soul (Johnny Flynn), plus all their various kids. There is also June’s daft old husband Bernie, played by Timothy Spall, who likes a drink and can’t talk about his feelings, and whose scatterbrained goofiness has a sad origin. Stephen Merchant plays Riseborough’s lovably useless husband and a gentle hospital nurse, played by Fisayo Akinade, is the ensemble’s self-effacing guide to a wiser future.

A throuple in Tennessee shares how they planned a fairytale wedding, from rings to first dance

On the day of her wedding, Janie Coppola, 30, overslept. She woke up to a friend banging on her bedroom window, and had to quickly do her hair before rushing to the venue, a dreamy castle in Chattanooga, Tennessee . Fortunately, the rest of the day went smoothly, and on the afternoon of 18 October, she walked down the aisle in a big white dress to be wed to her husband. And her wife.

“Your favorite throuple got hitched,” Margaret French, 32, Janie’s wife, captioned an Instagram post about the day.

Star turns from Helen Mirren, Andrea Riseborough and Toni Colette can’t stop cartoony sentimentality smothering this film directed by Winslet and written by her son Joe Anders

Kate Winslet’s feature directing debut is a family movie, scripted by her son Joe Anders; it’s a well-intentioned and starrily cast yuletide heartwarmer, like a two-hour John Lewis Christmas TV ad without the logo at the end. There are one or two nice lines and sharp moments but they are submerged in a treacly soup of sentimentality; in the end, I couldn’t get past the cartoony quasi-Richard Curtis characterisation and the weird not-quite-earthlingness of the people involved. Having said this, I am aware of having been first in the queue to denigrate Winslet’s Christmas film The Holiday , that is regarded by many as one of the most successful films of all time.

Helen Mirren is the June of the title, an affectionate but sharp-tongued matriarch who is diagnosed with terminal cancer in the run-up to Christmas, and her entire quarrelling clan will have to assemble in her hospital room. June, with a kind of benign cunning, realises that she can use her last days as a cathartic crisis that will cure her adult children’s unspoken hurt. They are a stressed careerist (Winslet), a stay-at-home mum (Andrea Riseborough), a hippy-dippy natural birth counsellor (Toni Collette) and a troubled soul (Johnny Flynn), plus all their various kids. There is also June’s daft old husband Bernie, played by Timothy Spall, who likes a drink and can’t talk about his feelings, and whose scatterbrained goofiness has a sad origin. Stephen Merchant plays Riseborough’s lovably useless husband and a gentle hospital nurse, played by Fisayo Akinade, is the ensemble’s self-effacing guide to a wiser future.

A throuple in Tennessee shares how they planned a fairytale wedding, from rings to first dance

On the day of her wedding, Janie Coppola, 30, overslept. She woke up to a friend banging on her bedroom window, and had to quickly do her hair before rushing to the venue, a dreamy castle in Chattanooga, Tennessee . Fortunately, the rest of the day went smoothly, and on the afternoon of 18 October, she walked down the aisle in a big white dress to be wed to her husband. And her wife.

“Your favorite throuple got hitched,” Margaret French, 32, Janie’s wife, captioned an Instagram post about the day.

Star turns from Helen Mirren, Andrea Riseborough and Toni Colette can’t stop cartoony sentimentality smothering this film directed by Winslet and written by her son Joe Anders

Kate Winslet’s feature directing debut is a family movie, scripted by her son Joe Anders; it’s a well-intentioned and starrily cast yuletide heartwarmer, like a two-hour John Lewis Christmas TV ad without the logo at the end. There are one or two nice lines and sharp moments but they are submerged in a treacly soup of sentimentality; in the end, I couldn’t get past the cartoony quasi-Richard Curtis characterisation and the weird not-quite-earthlingness of the people involved. Having said this, I am aware of having been first in the queue to denigrate Winslet’s Christmas film The Holiday , that is regarded by many as one of the most successful films of all time.

Helen Mirren is the June of the title, an affectionate but sharp-tongued matriarch who is diagnosed with terminal cancer in the run-up to Christmas, and her entire quarrelling clan will have to assemble in her hospital room. June, with a kind of benign cunning, realises that she can use her last days as a cathartic crisis that will cure her adult children’s unspoken hurt. They are a stressed careerist (Winslet), a stay-at-home mum (Andrea Riseborough), a hippy-dippy natural birth counsellor (Toni Collette) and a troubled soul (Johnny Flynn), plus all their various kids. There is also June’s daft old husband Bernie, played by Timothy Spall, who likes a drink and can’t talk about his feelings, and whose scatterbrained goofiness has a sad origin. Stephen Merchant plays Riseborough’s lovably useless husband and a gentle hospital nurse, played by Fisayo Akinade, is the ensemble’s self-effacing guide to a wiser future.

A throuple in Tennessee shares how they planned a fairytale wedding, from rings to first dance

On the day of her wedding, Janie Coppola, 30, overslept. She woke up to a friend banging on her bedroom window, and had to quickly do her hair before rushing to the venue, a dreamy castle in Chattanooga, Tennessee . Fortunately, the rest of the day went smoothly, and on the afternoon of 18 October, she walked down the aisle in a big white dress to be wed to her husband. And her wife.

“Your favorite throuple got hitched,” Margaret French, 32, Janie’s wife, captioned an Instagram post about the day.