• Prize fund boosted to £2m for racing’s premier Classic

• Aim to revive glory days and attract six-figure crowd

Epsom racecourse has announced a £6m, five-year plan to revive the flagging fortunes of the Derby, the world’s most famous Flat race, which includes a boost to the Classic’s prize fund to £2m, free admission to the main enclosure for under-18s, free parking and the installation of a bank of “bleacher” seats along the inside rail to give racegoers a “bird’s eye” view of the final three furlongs.

The Coronation Cup, for older horses over the Derby course and distance, will also be moved from the first day of the meeting to join the Derby on Saturday’s card.

• Prize fund boosted to £2m for racing’s premier Classic

• Aim to revive glory days and attract six-figure crowd

Epsom racecourse has announced a £6m, five-year plan to revive the flagging fortunes of the Derby, the world’s most famous Flat race, which includes a boost to the Classic’s prize fund to £2m, free admission to the main enclosure for under-18s, free parking and the installation of a bank of “bleacher” seats along the inside rail to give racegoers a “bird’s eye” view of the final three furlongs.

The Coronation Cup, for older horses over the Derby course and distance, will also be moved from the first day of the meeting to join the Derby on Saturday’s card.

• Prize fund boosted to £2m for racing’s premier Classic

• Aim to revive glory days and attract six-figure crowd

Epsom racecourse has announced a £6m, five-year plan to revive the flagging fortunes of the Derby, the world’s most famous Flat race, which includes a boost to the Classic’s prize fund to £2m, free admission to the main enclosure for under-18s, free parking and the installation of a bank of “bleacher” seats along the inside rail to give racegoers a “bird’s eye” view of the final three furlongs.

The Coronation Cup, for older horses over the Derby course and distance, will also be moved from the first day of the meeting to join the Derby on Saturday’s card.

Balshaw, who joined the Tate in 2017, helped steer organisation through Covid-19 and fluctuating attendance figures

Maria Balshaw is to step down as the director of Tate in 2026, after a challenging nine-year tenure when she steered the organisation through the Covid-19 pandemic and had to deal with fluctuating attendance figures and financial instability.

Balshaw, who joined as director in June 2017 after a celebrated spell as the leader of the Whitworth in Manchester, said it was a privilege to serve as director but now was the time for her to move on.

Balshaw, who joined the Tate in 2017, helped steer organisation through Covid-19 and fluctuating attendance figures

Maria Balshaw is to step down as the director of Tate in 2026, after a challenging nine-year tenure when she steered the organisation through the Covid-19 pandemic and had to deal with fluctuating attendance figures and financial instability.

Balshaw, who joined as director in June 2017 after a celebrated spell as the leader of the Whitworth in Manchester, said it was a privilege to serve as director but now was the time for her to move on.

Balshaw, who joined the Tate in 2017, helped steer organisation through Covid-19 and fluctuating attendance figures

Maria Balshaw is to step down as the director of Tate in 2026, after a challenging nine-year tenure when she steered the organisation through the Covid-19 pandemic and had to deal with fluctuating attendance figures and financial instability.

Balshaw, who joined as director in June 2017 after a celebrated spell as the leader of the Whitworth in Manchester, said it was a privilege to serve as director but now was the time for her to move on.

With its soaring ceilings, meandering pathways and mesh-like walls, Taichung Art Museum, designed by Sanaa, sweeps visitors from library to gallery to rooftop garden for rousing views

Walking through the brand new Taichung Art Museum in central Taiwan, directions are kind of an abstract concept. Designed by powerhouse Japanese architecture firm Sanaa, the complex is a collection of eight askew buildings, melding an art museum and municipal library, encased in silver mesh-like walls, with soaring ceilings and meandering pathways.

Past the lobby – a breezy open space that is neither inside nor out – the visitor wanders around paths and ramps, finding themselves in the library one minute and a world-class art exhibition the next. A door might suddenly step through to a skybridge over a rooftop garden, with sweeping views across Taichung’s Central Park, or into a cosy teenage reading room. Staircases float on the outside of buildings, floor levels are disparate, complementing a particular space’s purpose and vibe rather than having an overall consistency.

With its soaring ceilings, meandering pathways and mesh-like walls, Taichung Art Museum, designed by Sanaa, sweeps visitors from library to gallery to rooftop garden for rousing views

Walking through the brand new Taichung Art Museum in central Taiwan, directions are kind of an abstract concept. Designed by powerhouse Japanese architecture firm Sanaa, the complex is a collection of eight askew buildings, melding an art museum and municipal library, encased in silver mesh-like walls, with soaring ceilings and meandering pathways.

Past the lobby – a breezy open space that is neither inside nor out – the visitor wanders around paths and ramps, finding themselves in the library one minute and a world-class art exhibition the next. A door might suddenly step through to a skybridge over a rooftop garden, with sweeping views across Taichung’s Central Park, or into a cosy teenage reading room. Staircases float on the outside of buildings, floor levels are disparate, complementing a particular space’s purpose and vibe rather than having an overall consistency.

With its soaring ceilings, meandering pathways and mesh-like walls, Taichung Art Museum, designed by Sanaa, sweeps visitors from library to gallery to rooftop garden for rousing views

Walking through the brand new Taichung Art Museum in central Taiwan, directions are kind of an abstract concept. Designed by powerhouse Japanese architecture firm Sanaa, the complex is a collection of eight askew buildings, melding an art museum and municipal library, encased in silver mesh-like walls, with soaring ceilings and meandering pathways.

Past the lobby – a breezy open space that is neither inside nor out – the visitor wanders around paths and ramps, finding themselves in the library one minute and a world-class art exhibition the next. A door might suddenly step through to a skybridge over a rooftop garden, with sweeping views across Taichung’s Central Park, or into a cosy teenage reading room. Staircases float on the outside of buildings, floor levels are disparate, complementing a particular space’s purpose and vibe rather than having an overall consistency.