Whitworth, Manchester
Hokusai’s breathtaking woodblock print may be ubiquitous today but, as this startling show reminds us, it’s also an apocalyptic vision of a world about to change

The printed images made in Japan between the 17th and 20th centuries, known collectively as “pictures of the floating world”, could be bought from a local bookshop for about the price of a bowl of noodles. Collected casually, like posters or magazines, these mass-produced media started out as sexy, charming and dazzling snapshots of Tokyo high-life for the vicarious enjoyment of those who could not afford it. Manufactured by workshops of artists and artisans, they made professional works of art available to ordinary people for the first time. They’re breathtakingly beautiful, and they changed the history of art.

The first and most enduringly popular subjects for these collectible prints were famous actors from the kabuki theatreand beautiful women, typically courtesans from the brothel district of Yoshiwara. By introducing us to the denizens of the floating world, the first half of this dazzling exhibition sheds light on the dreams and desires that drive popular culture. Kunichika’s portrait of an actor in the role of a “heavenly being” is as heart-throbbing and as gender-bending as Rudolph Valentino in a bolero vest. A “fashionable beauty” caught by Eizan in the process of applying her lipstick, a delicately turned ankle visible through the gap in her marvellously rendered gown, is erotic in a way that is unavoidably (and by design) voyeuristic. You could imagine stumbling upon this half-dressed model, glimpsed through an open door, in the pages of Vogue Italia.

Whitworth, Manchester
Hokusai’s breathtaking woodblock print may be ubiquitous today but, as this startling show reminds us, it’s also an apocalyptic vision of a world about to change

The printed images made in Japan between the 17th and 20th centuries, known collectively as “pictures of the floating world”, could be bought from a local bookshop for about the price of a bowl of noodles. Collected casually, like posters or magazines, these mass-produced media started out as sexy, charming and dazzling snapshots of Tokyo high-life for the vicarious enjoyment of those who could not afford it. Manufactured by workshops of artists and artisans, they made professional works of art available to ordinary people for the first time. They’re breathtakingly beautiful, and they changed the history of art.

The first and most enduringly popular subjects for these collectible prints were famous actors from the kabuki theatreand beautiful women, typically courtesans from the brothel district of Yoshiwara. By introducing us to the denizens of the floating world, the first half of this dazzling exhibition sheds light on the dreams and desires that drive popular culture. Kunichika’s portrait of an actor in the role of a “heavenly being” is as heart-throbbing and as gender-bending as Rudolph Valentino in a bolero vest. A “fashionable beauty” caught by Eizan in the process of applying her lipstick, a delicately turned ankle visible through the gap in her marvellously rendered gown, is erotic in a way that is unavoidably (and by design) voyeuristic. You could imagine stumbling upon this half-dressed model, glimpsed through an open door, in the pages of Vogue Italia.

Whitworth, Manchester
Hokusai’s breathtaking woodblock print may be ubiquitous today but, as this startling show reminds us, it’s also an apocalyptic vision of a world about to change

The printed images made in Japan between the 17th and 20th centuries, known collectively as “pictures of the floating world”, could be bought from a local bookshop for about the price of a bowl of noodles. Collected casually, like posters or magazines, these mass-produced media started out as sexy, charming and dazzling snapshots of Tokyo high-life for the vicarious enjoyment of those who could not afford it. Manufactured by workshops of artists and artisans, they made professional works of art available to ordinary people for the first time. They’re breathtakingly beautiful, and they changed the history of art.

The first and most enduringly popular subjects for these collectible prints were famous actors from the kabuki theatreand beautiful women, typically courtesans from the brothel district of Yoshiwara. By introducing us to the denizens of the floating world, the first half of this dazzling exhibition sheds light on the dreams and desires that drive popular culture. Kunichika’s portrait of an actor in the role of a “heavenly being” is as heart-throbbing and as gender-bending as Rudolph Valentino in a bolero vest. A “fashionable beauty” caught by Eizan in the process of applying her lipstick, a delicately turned ankle visible through the gap in her marvellously rendered gown, is erotic in a way that is unavoidably (and by design) voyeuristic. You could imagine stumbling upon this half-dressed model, glimpsed through an open door, in the pages of Vogue Italia.

Pep Guardiola’s team have ground down other title contenders in the past with their relentless winning streaks. But those days appear to have gone

• Sign up for Soccer with Jonathan Wilson here

This has been a strange season for Manchester City. Every now and then, they’ve threatened to produce the sort of run that used to define them. They won eight games in a row from the end of November to the end of December, then six in a row in February. At which point the tendency has been for a sort of mental muscle memory to kick in and to think that, even if they haven’t been playing that well, even if this doesn’t look like the City sides of old, this is the start of one of those relentless bouts of form that has ground down challengers in the past. After all, some of those past runs began uncertainly.

But this is a very different City. Even Pep Guardiola sounded bemused after Saturday’s draw with West Ham , noting how “in the past always we found the way to win this kind of game … this season, the fact that we didn’t score goals for the amount of chances, it’s punished us”. He seemingly had no explanation for that, muttering about the “unfairness” of the world that his side had not got the results he feels their football has deserved.

This is an extract from Soccer with Jonathan Wilson, a weekly look from the Guardian US at the game in Europe and beyond. Subscribe for free here. Have a question for Jonathan? Email soccerwithjw@theguardian.com , and he’ll answer the best in a future edition.

Pep Guardiola’s team have ground down other title contenders in the past with their relentless winning streaks. But those days appear to have gone

• Sign up for Soccer with Jonathan Wilson here

This has been a strange season for Manchester City. Every now and then, they’ve threatened to produce the sort of run that used to define them. They won eight games in a row from the end of November to the end of December, then six in a row in February. At which point the tendency has been for a sort of mental muscle memory to kick in and to think that, even if they haven’t been playing that well, even if this doesn’t look like the City sides of old, this is the start of one of those relentless bouts of form that has ground down challengers in the past. After all, some of those past runs began uncertainly.

But this is a very different City. Even Pep Guardiola sounded bemused after Saturday’s draw with West Ham , noting how “in the past always we found the way to win this kind of game … this season, the fact that we didn’t score goals for the amount of chances, it’s punished us”. He seemingly had no explanation for that, muttering about the “unfairness” of the world that his side had not got the results he feels their football has deserved.

This is an extract from Soccer with Jonathan Wilson, a weekly look from the Guardian US at the game in Europe and beyond. Subscribe for free here. Have a question for Jonathan? Email soccerwithjw@theguardian.com , and he’ll answer the best in a future edition.

Pep Guardiola’s team have ground down other title contenders in the past with their relentless winning streaks. But those days appear to have gone

• Sign up for Soccer with Jonathan Wilson here

This has been a strange season for Manchester City. Every now and then, they’ve threatened to produce the sort of run that used to define them. They won eight games in a row from the end of November to the end of December, then six in a row in February. At which point the tendency has been for a sort of mental muscle memory to kick in and to think that, even if they haven’t been playing that well, even if this doesn’t look like the City sides of old, this is the start of one of those relentless bouts of form that has ground down challengers in the past. After all, some of those past runs began uncertainly.

But this is a very different City. Even Pep Guardiola sounded bemused after Saturday’s draw with West Ham , noting how “in the past always we found the way to win this kind of game … this season, the fact that we didn’t score goals for the amount of chances, it’s punished us”. He seemingly had no explanation for that, muttering about the “unfairness” of the world that his side had not got the results he feels their football has deserved.

This is an extract from Soccer with Jonathan Wilson, a weekly look from the Guardian US at the game in Europe and beyond. Subscribe for free here. Have a question for Jonathan? Email soccerwithjw@theguardian.com , and he’ll answer the best in a future edition.

Pat McFadden unveils £1bn youth employment scheme and appeals for support from backbench MPs who rebelled over welfare last year

Labour MPs have no reason to oppose a fresh government attempt to overhaul the welfare system, the work and pensions secretary has said as he unveiled a £1bn youth employment scheme.

The announcement by Pat McFadden – who said the public wanted the system to promote work and “value for money” – is seen as a prelude to a renewed bid to reform the welfare system after plans by his predecessor, Liz Kendall, were blocked by a Labour backbench rebellion last year.

Pat McFadden unveils £1bn youth employment scheme and appeals for support from backbench MPs who rebelled over welfare last year

Labour MPs have no reason to oppose a fresh government attempt to overhaul the welfare system, the work and pensions secretary has said as he unveiled a £1bn youth employment scheme.

The announcement by Pat McFadden – who said the public wanted the system to promote work and “value for money” – is seen as a prelude to a renewed bid to reform the welfare system after plans by his predecessor, Liz Kendall, were blocked by a Labour backbench rebellion last year.

Pat McFadden unveils £1bn youth employment scheme and appeals for support from backbench MPs who rebelled over welfare last year

Labour MPs have no reason to oppose a fresh government attempt to overhaul the welfare system, the work and pensions secretary has said as he unveiled a £1bn youth employment scheme.

The announcement by Pat McFadden – who said the public wanted the system to promote work and “value for money” – is seen as a prelude to a renewed bid to reform the welfare system after plans by his predecessor, Liz Kendall, were blocked by a Labour backbench rebellion last year.