The author brings introspection and humour to their inspiring account of how a young goshawk helped them cope after the loss of their father

It is coming up to 12 years since the publication of H Is for Hawk, about the historian, writer and naturalist Helen Macdonald’s time spent training a Eurasian goshawk after an intense period of grief. Showered with awards, the book was a runaway hit and sparked a literary trend for shared transformative encounters with animals including cats, dogs, magpies and hares.

This month, H Is for Hawk comes to the big screen in a new adaptation starring Claire Foy. But there is still time to get to know the source material, which tells of the sudden death of the author’s father and how Macdonald, an experienced falconer who had previously trained kestrels and peregrines, took delivery of a temperamental young goshawk named Mabel with the aim of taming her and teaching her to hunt. Macdonald, who is non-binary, is the audiobook’s narrator. Their reading is characterised by introspection, curiosity and flashes of humour as they observe this “spooky, pale-eyed psychopath” who, as well as feeding and flying, likes to play ball with scrunched-up bits of paper.

Available via Penguin Audio, 11hr 5min

Peter Frampton’s Frampton Comes Alive!, one of the bestselling live albums of all time, is turning 50. You won’t find that on this list, however: instead there’s metal, soul, and an ‘indecently exciting’ No 1 …

Already stars in Black America, Maze became the ultimate if-you-know-you-know band among British fans of underground soul thanks to Live in New Orleans. It perfectly encapsulated their appeal: smooth but not slick, an awesomely tight band making breezily relaxed music, one fantastic song after another.

The author brings introspection and humour to their inspiring account of how a young goshawk helped them cope after the loss of their father

It is coming up to 12 years since the publication of H Is for Hawk, about the historian, writer and naturalist Helen Macdonald’s time spent training a Eurasian goshawk after an intense period of grief. Showered with awards, the book was a runaway hit and sparked a literary trend for shared transformative encounters with animals including cats, dogs, magpies and hares.

This month, H Is for Hawk comes to the big screen in a new adaptation starring Claire Foy. But there is still time to get to know the source material, which tells of the sudden death of the author’s father and how Macdonald, an experienced falconer who had previously trained kestrels and peregrines, took delivery of a temperamental young goshawk named Mabel with the aim of taming her and teaching her to hunt. Macdonald, who is non-binary, is the audiobook’s narrator. Their reading is characterised by introspection, curiosity and flashes of humour as they observe this “spooky, pale-eyed psychopath” who, as well as feeding and flying, likes to play ball with scrunched-up bits of paper.

Available via Penguin Audio, 11hr 5min

Peter Frampton’s Frampton Comes Alive!, one of the bestselling live albums of all time, is turning 50. You won’t find that on this list, however: instead there’s metal, soul, and an ‘indecently exciting’ No 1 …

Already stars in Black America, Maze became the ultimate if-you-know-you-know band among British fans of underground soul thanks to Live in New Orleans. It perfectly encapsulated their appeal: smooth but not slick, an awesomely tight band making breezily relaxed music, one fantastic song after another.

The author brings introspection and humour to their inspiring account of how a young goshawk helped them cope after the loss of their father

It is coming up to 12 years since the publication of H Is for Hawk, about the historian, writer and naturalist Helen Macdonald’s time spent training a Eurasian goshawk after an intense period of grief. Showered with awards, the book was a runaway hit and sparked a literary trend for shared transformative encounters with animals including cats, dogs, magpies and hares.

This month, H Is for Hawk comes to the big screen in a new adaptation starring Claire Foy. But there is still time to get to know the source material, which tells of the sudden death of the author’s father and how Macdonald, an experienced falconer who had previously trained kestrels and peregrines, took delivery of a temperamental young goshawk named Mabel with the aim of taming her and teaching her to hunt. Macdonald, who is non-binary, is the audiobook’s narrator. Their reading is characterised by introspection, curiosity and flashes of humour as they observe this “spooky, pale-eyed psychopath” who, as well as feeding and flying, likes to play ball with scrunched-up bits of paper.

Available via Penguin Audio, 11hr 5min

Peter Frampton’s Frampton Comes Alive!, one of the bestselling live albums of all time, is turning 50. You won’t find that on this list, however: instead there’s metal, soul, and an ‘indecently exciting’ No 1 …

Already stars in Black America, Maze became the ultimate if-you-know-you-know band among British fans of underground soul thanks to Live in New Orleans. It perfectly encapsulated their appeal: smooth but not slick, an awesomely tight band making breezily relaxed music, one fantastic song after another.

Daniel Reuss/Noord Nederlands Orkest/Cappella Amsterdam
(Pentatone)
Noord Nederlands Orkest and Cappella Amsterdam breathe colour and light into work from the composer’s most austere period

In his later years, Igor Stravinsky became fascinated by serialism, both as a means of distilling musical thought and as an intellectual and stylistic challenge for a composer entering his 70s and 80s. The results struck some contemporary listeners as austere, but there’s a self-effacing purity and beauty about this complex, intellectually probing music that deserves a wider audience than hitherto. Kudos, then, to conductor Daniel Reuss, whose precise yet vital interpretations teem with colour and light.

There are four main works here. In Memoriam Dylan Thomas from 1954 is an extended, impassioned setting for solo tenor of Do Not Go Gentle Into That Good Night. Threni, a spiny, multifaceted jewel from 1958, sets words from the Book of Lamentations. The haunting Introitus and bristling Requiem Canticles, from 1965 and 1966 respectively, complete the set, interspersed with briefer pieces including an unpretentious Lord’s Prayer and the severely cerebral two-minute Elegy for JFK.

Daniel Reuss/Noord Nederlands Orkest/Cappella Amsterdam
(Pentatone)
Noord Nederlands Orkest and Cappella Amsterdam breathe colour and light into work from the composer’s most austere period

In his later years, Igor Stravinsky became fascinated by serialism, both as a means of distilling musical thought and as an intellectual and stylistic challenge for a composer entering his 70s and 80s. The results struck some contemporary listeners as austere, but there’s a self-effacing purity and beauty about this complex, intellectually probing music that deserves a wider audience than hitherto. Kudos, then, to conductor Daniel Reuss, whose precise yet vital interpretations teem with colour and light.

There are four main works here. In Memoriam Dylan Thomas from 1954 is an extended, impassioned setting for solo tenor of Do Not Go Gentle Into That Good Night. Threni, a spiny, multifaceted jewel from 1958, sets words from the Book of Lamentations. The haunting Introitus and bristling Requiem Canticles, from 1965 and 1966 respectively, complete the set, interspersed with briefer pieces including an unpretentious Lord’s Prayer and the severely cerebral two-minute Elegy for JFK.

Daniel Reuss/Noord Nederlands Orkest/Cappella Amsterdam
(Pentatone)
Noord Nederlands Orkest and Cappella Amsterdam breathe colour and light into work from the composer’s most austere period

In his later years, Igor Stravinsky became fascinated by serialism, both as a means of distilling musical thought and as an intellectual and stylistic challenge for a composer entering his 70s and 80s. The results struck some contemporary listeners as austere, but there’s a self-effacing purity and beauty about this complex, intellectually probing music that deserves a wider audience than hitherto. Kudos, then, to conductor Daniel Reuss, whose precise yet vital interpretations teem with colour and light.

There are four main works here. In Memoriam Dylan Thomas from 1954 is an extended, impassioned setting for solo tenor of Do Not Go Gentle Into That Good Night. Threni, a spiny, multifaceted jewel from 1958, sets words from the Book of Lamentations. The haunting Introitus and bristling Requiem Canticles, from 1965 and 1966 respectively, complete the set, interspersed with briefer pieces including an unpretentious Lord’s Prayer and the severely cerebral two-minute Elegy for JFK.