(Columbia)
Framed as the music Williams wanted to make post-Take That, Britpop surpasses pastiche and swerves unpredictably. Homoerotic paean to Morrissey, anyone?

The arrival of Robbie Williams’s 13th album has been a complicated business. It was announced in May 2025 and was supposed to come out in October, when its title would have chimed with the 90s nostalgia sparked by the Oasis reunion . Williams spent the summer engaging in promotion, unveiling fake Britpop-themed blue plaques around London and staging a press conference at the Groucho Club. There was a launch gig at storied Camden venue Dingwalls , at which he performed not just his new album in full, but his 1997 solo debut Life Thru a Lens.

It was a bold choice, given that Life Thru a Lens initially threatened to derail his solo career: at the time, the now nakedly obvious supernova hits Angels and Let Me Entertain You were overlooked while people criticised Williams’s muddled attempts to fit in with, well, Britpop. On stage at Dingwalls, he made the surprise announcement that the album now wasn’t coming out until mid-February, admitting with winning candour that he didn’t want to compete with Taylor Swift’s The Life of a Showgirl . Now it’s suddenly appeared, without explanation, two weeks into January: presumably because Williams will have fewer competitors in the albums chart this week, giving him a greater chance at breaking the record he currently jointly holds with the Beatles for the most UK No 1 albums ever.

Institute for Public Policy Research thinktank report calls on chancellor to pursue policy of ‘securonomics’

Tens of thousands of jobs could be lost if the UK’s clean energy supply chains were to suffer a shock as a result of an over-reliance on China, a left-leaning thinktank has warned.

A year-long disruption to the supply of essential battery components used to manufacture electric vehicles could wipe out production of more than 580,000 electric cars and endanger 90,000 jobs, according to the Institute for Public Policy Research.

(Columbia)
Framed as the music Williams wanted to make post-Take That, Britpop surpasses pastiche and swerves unpredictably. Homoerotic paean to Morrissey, anyone?

The arrival of Robbie Williams’s 13th album has been a complicated business. It was announced in May 2025 and was supposed to come out in October, when its title would have chimed with the 90s nostalgia sparked by the Oasis reunion . Williams spent the summer engaging in promotion, unveiling fake Britpop-themed blue plaques around London and staging a press conference at the Groucho Club. There was a launch gig at storied Camden venue Dingwalls , at which he performed not just his new album in full, but his 1997 solo debut Life Thru a Lens.

It was a bold choice, given that Life Thru a Lens initially threatened to derail his solo career: at the time, the now nakedly obvious supernova hits Angels and Let Me Entertain You were overlooked while people criticised Williams’s muddled attempts to fit in with, well, Britpop. On stage at Dingwalls, he made the surprise announcement that the album now wasn’t coming out until mid-February, admitting with winning candour that he didn’t want to compete with Taylor Swift’s The Life of a Showgirl . Now it’s suddenly appeared, without explanation, two weeks into January: presumably because Williams will have fewer competitors in the albums chart this week, giving him a greater chance at breaking the record he currently jointly holds with the Beatles for the most UK No 1 albums ever.

The longtime friends and colleagues add weight to Joe Carnahan’s enjoyably boisterous Friday night crowdpleaser

January has long been a B-movie buffet for those exhausted by prestige awards bait, a month when Gerard Butler and Jason Statham are suddenly commanding wide releases and often No 1 mini-hits. But as the former’s apocalyptic sequel Greenland 2: Migration lingers in the top five and the latter’s action romp Shelter prepares to premiere, we find two more prominent stars – Oscar winners Ben Affleck and Matt Damon – resigned to the small screen instead.

In a non-Netflix world, a film like The Rip – flashy, action-heavy, led by two household names – should be available this weekend on the biggest high-format screens across the country. But then in that same world, at this particular time, it’s doubtful that a film like this would even get made, granted a budget that’s reportedly close to $100m, highly unusual for R-rated non-IP. The streamer was, in fact, so keen to get it made that it has briefly agreed to change its pay structure, allowing Affleck and Damon to bring across their profit-sharing Artists Equity rule, by which each member of the cast and crew gets a bonus if the film performs well. So, as with many films at this weird moment, it’s a take-what-you-can-get situation and while it would have been preferable to see a film like this, which looks and feels like it was made in 2002, on the big screen, the landscape has dictated that the small will have to do.

Chelsea need to avoid long-throw blues, plus: a vacant spot for Liverpool and West Ham’s best hope for survival

• Race for the golden boot: Premier League top scorers

Can the 198th derby be any spicier for Manchester United and their latest interim manager, Michael Carrick? This is his second caretaker tenure though the three games of November-December 2021 (beating Villarreal and Arsenal, drawing with Chelsea) hardly compares to sending out an XI to try to beat Manchester City in Saturday’s early kick-off. Pep Guardiola’s high-performing unit remain in contention on all fronts. Carrick takes charge of a United suffering the aftershocks of a latest manager sacking , hoping to salvage the season via European qualification. The lad from Wallsend has 17 games to do so – his new team are in seventh place on 32 points, so victory over City would be a fine start. But you wonder if the match might end with Carrick and United humbled or, even worse, humiliated. Jamie Jackson

Manchester United v Manchester City, Saturday 12.30pm (all times GMT)

Chelsea v Brentford, Saturday 3pm

Leeds v Fulham, Saturday 3pm

Liverpool v Burnley, Saturday 3pm

The longtime friends and colleagues add weight to Joe Carnahan’s enjoyably boisterous Friday night crowdpleaser

January has long been a B-movie buffet for those exhausted by prestige awards bait, a month when Gerard Butler and Jason Statham are suddenly commanding wide releases and often No 1 mini-hits. But as the former’s apocalyptic sequel Greenland 2: Migration lingers in the top five and the latter’s action romp Shelter prepares to premiere, we find two more prominent stars – Oscar winners Ben Affleck and Matt Damon – resigned to the small screen instead.

In a non-Netflix world, a film like The Rip – flashy, action-heavy, led by two household names – should be available this weekend on the biggest high-format screens across the country. But then in that same world, at this particular time, it’s doubtful that a film like this would even get made, granted a budget that’s reportedly close to $100m, highly unusual for R-rated non-IP. The streamer was, in fact, so keen to get it made that it has briefly agreed to change its pay structure, allowing Affleck and Damon to bring across their profit-sharing Artists Equity rule, by which each member of the cast and crew gets a bonus if the film performs well. So, as with many films at this weird moment, it’s a take-what-you-can-get situation and while it would have been preferable to see a film like this, which looks and feels like it was made in 2002, on the big screen, the landscape has dictated that the small will have to do.

Chelsea need to avoid long-throw blues, plus: a vacant spot for Liverpool and West Ham’s best hope for survival

• Race for the golden boot: Premier League top scorers

Can the 198th derby be any spicier for Manchester United and their latest interim manager, Michael Carrick? This is his second caretaker tenure though the three games of November-December 2021 (beating Villarreal and Arsenal, drawing with Chelsea) hardly compares to sending out an XI to try to beat Manchester City in Saturday’s early kick-off. Pep Guardiola’s high-performing unit remain in contention on all fronts. Carrick takes charge of a United suffering the aftershocks of a latest manager sacking , hoping to salvage the season via European qualification. The lad from Wallsend has 17 games to do so – his new team are in seventh place on 32 points, so victory over City would be a fine start. But you wonder if the match might end with Carrick and United humbled or, even worse, humiliated. Jamie Jackson

Manchester United v Manchester City, Saturday 12.30pm (all times GMT)

Chelsea v Brentford, Saturday 3pm

Leeds v Fulham, Saturday 3pm

Liverpool v Burnley, Saturday 3pm

The longtime friends and colleagues add weight to Joe Carnahan’s enjoyably boisterous Friday night crowdpleaser

January has long been a B-movie buffet for those exhausted by prestige awards bait, a month when Gerard Butler and Jason Statham are suddenly commanding wide releases and often No 1 mini-hits. But as the former’s apocalyptic sequel Greenland 2: Migration lingers in the top five and the latter’s action romp Shelter prepares to premiere, we find two more prominent stars – Oscar winners Ben Affleck and Matt Damon – resigned to the small screen instead.

In a non-Netflix world, a film like The Rip – flashy, action-heavy, led by two household names – should be available this weekend on the biggest high-format screens across the country. But then in that same world, at this particular time, it’s doubtful that a film like this would even get made, granted a budget that’s reportedly close to $100m, highly unusual for R-rated non-IP. The streamer was, in fact, so keen to get it made that it has briefly agreed to change its pay structure, allowing Affleck and Damon to bring across their profit-sharing Artists Equity rule, by which each member of the cast and crew gets a bonus if the film performs well. So, as with many films at this weird moment, it’s a take-what-you-can-get situation and while it would have been preferable to see a film like this, which looks and feels like it was made in 2002, on the big screen, the landscape has dictated that the small will have to do.

Chelsea need to avoid long-throw blues, plus: a vacant spot for Liverpool and West Ham’s best hope for survival

• Race for the golden boot: Premier League top scorers

Can the 198th derby be any spicier for Manchester United and their latest interim manager, Michael Carrick? This is his second caretaker tenure though the three games of November-December 2021 (beating Villarreal and Arsenal, drawing with Chelsea) hardly compares to sending out an XI to try to beat Manchester City in Saturday’s early kick-off. Pep Guardiola’s high-performing unit remain in contention on all fronts. Carrick takes charge of a United suffering the aftershocks of a latest manager sacking , hoping to salvage the season via European qualification. The lad from Wallsend has 17 games to do so – his new team are in seventh place on 32 points, so victory over City would be a fine start. But you wonder if the match might end with Carrick and United humbled or, even worse, humiliated. Jamie Jackson

Manchester United v Manchester City, Saturday 12.30pm (all times GMT)

Chelsea v Brentford, Saturday 3pm

Leeds v Fulham, Saturday 3pm

Liverpool v Burnley, Saturday 3pm