Sweden winger was a serial winner at Barcelona and hopes her experience can help Manchester United claim their first Women’s League Cup trophy on Sunday against Chelsea

When a club is preparing for its fourth major cup final, it helps to have somebody in the squad whose tally of Champions League final appearances alone surpasses that. Enter the serial winner Fridolina Rolfö, who has helped Manchester United reach a final at the first attempt in her first season in England. What else did we expect? It is just what she does.

The Sweden winger, who arrived from Barcelona last summer, is speaking to the Guardian about Sunday’s Women’s League Cup final against Chelsea, the holders, and her winning mentality quickly reveals itself when she says of reaching the final: “Yes, we should be proud, but of course we’re not happy – we want to win the final as well.

İlker Çatak’s Yellow Letters and Emin Alper’s Salvation both won headline honours at the Berlin film festival and show dissenting cinema is thriving in the face of Erdoğan’s repression

‘I want calm in our building,” says the landlord of a couple who have been purged from their jobs in the film Yellow Letters, before asking them to leave the premises. “We’re all responsible for keeping the calm here”. Turkish cinema, however, has never been less inclined to keep the peace. İlker Çatak’s Yellow Letters and Emin Alper’s Salvation , two politically outspoken films that examine Turkish president Recep Tayyip Erdoğan’s autocratic regime, shared the top prizes at this year’s Berlinale: the Golden Bear for Çatak and Silver for Alper.

These striking works share a lot more. Both titles are co-produced by Liman, an indie film company from Turkey. Nadir Öperli, Salvation’s producer, co-produced Yellow Letters alongside Enis Köstepen who produced and co-wrote Çatak’s film. Both in their mid-40s, they are key figures in the new wave of Turkish cinema that has risen from the ashes of Yeşilçam, the national film industry body that collapsed in the late 1980s. Aesthetically bold yet accessible, and steeped in Turkey’s rich tradition of dissent, their projects expose Turkey at a precarious moment of political repression and economic hardship.

İlker Çatak’s Yellow Letters and Emin Alper’s Salvation both won headline honours at the Berlin film festival and show dissenting cinema is thriving in the face of Erdoğan’s repression

‘I want calm in our building,” says the landlord of a couple who have been purged from their jobs in the film Yellow Letters, before asking them to leave the premises. “We’re all responsible for keeping the calm here”. Turkish cinema, however, has never been less inclined to keep the peace. İlker Çatak’s Yellow Letters and Emin Alper’s Salvation , two politically outspoken films that examine Turkish president Recep Tayyip Erdoğan’s autocratic regime, shared the top prizes at this year’s Berlinale: the Golden Bear for Çatak and Silver for Alper.

These striking works share a lot more. Both titles are co-produced by Liman, an indie film company from Turkey. Nadir Öperli, Salvation’s producer, co-produced Yellow Letters alongside Enis Köstepen who produced and co-wrote Çatak’s film. Both in their mid-40s, they are key figures in the new wave of Turkish cinema that has risen from the ashes of Yeşilçam, the national film industry body that collapsed in the late 1980s. Aesthetically bold yet accessible, and steeped in Turkey’s rich tradition of dissent, their projects expose Turkey at a precarious moment of political repression and economic hardship.

Sweden winger was a serial winner at Barcelona and hopes her experience can help Manchester United claim their first Women’s League Cup trophy on Sunday against Chelsea

When a club is preparing for its fourth major cup final, it helps to have somebody in the squad whose tally of Champions League final appearances alone surpasses that. Enter the serial winner Fridolina Rolfö, who has helped Manchester United reach a final at the first attempt in her first season in England. What else did we expect? It is just what she does.

The Sweden winger, who arrived from Barcelona last summer, is speaking to the Guardian about Sunday’s Women’s League Cup final against Chelsea, the holders, and her winning mentality quickly reveals itself when she says of reaching the final: “Yes, we should be proud, but of course we’re not happy – we want to win the final as well.

İlker Çatak’s Yellow Letters and Emin Alper’s Salvation both won headline honours at the Berlin film festival and show dissenting cinema is thriving in the face of Erdoğan’s repression

‘I want calm in our building,” says the landlord of a couple who have been purged from their jobs in the film Yellow Letters, before asking them to leave the premises. “We’re all responsible for keeping the calm here”. Turkish cinema, however, has never been less inclined to keep the peace. İlker Çatak’s Yellow Letters and Emin Alper’s Salvation , two politically outspoken films that examine Turkish president Recep Tayyip Erdoğan’s autocratic regime, shared the top prizes at this year’s Berlinale: the Golden Bear for Çatak and Silver for Alper.

These striking works share a lot more. Both titles are co-produced by Liman, an indie film company from Turkey. Nadir Öperli, Salvation’s producer, co-produced Yellow Letters alongside Enis Köstepen who produced and co-wrote Çatak’s film. Both in their mid-40s, they are key figures in the new wave of Turkish cinema that has risen from the ashes of Yeşilçam, the national film industry body that collapsed in the late 1980s. Aesthetically bold yet accessible, and steeped in Turkey’s rich tradition of dissent, their projects expose Turkey at a precarious moment of political repression and economic hardship.

Sweden winger was a serial winner at Barcelona and hopes her experience can help Manchester United claim their first Women’s League Cup trophy on Sunday against Chelsea

When a club is preparing for its fourth major cup final, it helps to have somebody in the squad whose tally of Champions League final appearances alone surpasses that. Enter the serial winner Fridolina Rolfö, who has helped Manchester United reach a final at the first attempt in her first season in England. What else did we expect? It is just what she does.

The Sweden winger, who arrived from Barcelona last summer, is speaking to the Guardian about Sunday’s Women’s League Cup final against Chelsea, the holders, and her winning mentality quickly reveals itself when she says of reaching the final: “Yes, we should be proud, but of course we’re not happy – we want to win the final as well.

University of Cambridge study finds AI-powered toys can misread emotions and respond inappropriately to children

It was all going well. Charlotte, five, was chatting with an AI soft toy called Gabbo at a London play centre about her family, her drawing of a heart to represent them and what makes her happy. She even offered a couple of kisses to the £80 plaything with a face like a computer screen.

It was when she declared: “Gabbo, I love you”, that the fluent conversation came to an abrupt halt.

University of Cambridge study finds AI-powered toys can misread emotions and respond inappropriately to children

It was all going well. Charlotte, five, was chatting with an AI soft toy called Gabbo at a London play centre about her family, her drawing of a heart to represent them and what makes her happy. She even offered a couple of kisses to the £80 plaything with a face like a computer screen.

It was when she declared: “Gabbo, I love you”, that the fluent conversation came to an abrupt halt.

University of Cambridge study finds AI-powered toys can misread emotions and respond inappropriately to children

It was all going well. Charlotte, five, was chatting with an AI soft toy called Gabbo at a London play centre about her family, her drawing of a heart to represent them and what makes her happy. She even offered a couple of kisses to the £80 plaything with a face like a computer screen.

It was when she declared: “Gabbo, I love you”, that the fluent conversation came to an abrupt halt.