• Updates as Matildas and Korea DPR meet at HBF Park

• Kick-off time in Perth is 6pm local/9pm AEDT

• Any thoughts? Get in touch with an email

You’re going to have to wait for me to figure out the best way to share North Korea’s XI. They don’t exactly have an official Instagram account for me to grab a graphic from…

Standing across from the Matildas in the red corner are North Korea, playing in their first Asian Cup since 2010 and keen to re-assert themselves as one of Asia’s most dominant sides.

• Updates as Matildas and Korea DPR meet at HBF Park

• Kick-off time in Perth is 6pm local/9pm AEDT

• Any thoughts? Get in touch with an email

You’re going to have to wait for me to figure out the best way to share North Korea’s XI. They don’t exactly have an official Instagram account for me to grab a graphic from…

Standing across from the Matildas in the red corner are North Korea, playing in their first Asian Cup since 2010 and keen to re-assert themselves as one of Asia’s most dominant sides.

• Updates as Matildas and Korea DPR meet at HBF Park

• Kick-off time in Perth is 6pm local/9pm AEDT

• Any thoughts? Get in touch with an email

You’re going to have to wait for me to figure out the best way to share North Korea’s XI. They don’t exactly have an official Instagram account for me to grab a graphic from…

Standing across from the Matildas in the red corner are North Korea, playing in their first Asian Cup since 2010 and keen to re-assert themselves as one of Asia’s most dominant sides.

In director Amy Wang’s debut movie Slanted, a mysterious procedure allows people of colour to become white, speaking to her own difficult feelings as a teen

In March 2021, six Asian women were killed in a mass shooting in Atlanta. Amy Wang, an Asian Australian writer and director, who emigrated to America in 2015, remembers that tragedy well. “It was the first time I felt genuinely unsafe here,” she says. Alongside a growing fear, childhood memories resurfaced – the internal and external racism and the exhaustion of never quite fitting in. “I moved to Australia when I was seven and didn’t speak English – it was a tough time for me,” she admits. And then there was one particular recurring thought. “There were many times when I’d wake up as a teenager and think to myself: ‘Wouldn’t life be easier if I were white?’” So, she turned that past feeling into art.

The art is Slanted, Wang’s audacious feature debut – a film whose premise is, by design, completely unhinged. An insecure Asian American high schooler undergoes a procedure at a mysterious cosmetics clinic called Ethnos (tagline: if you can’t beat them … be them ) that renders people of colour visibly white, permanently. It’s taking ‘I don’t see colour’ to the ultra-extreme: equality achieved only when we all look the same, and that means whiteness. The surgery works. And then things get complicated.

In director Amy Wang’s debut movie Slanted, a mysterious procedure allows people of colour to become white, speaking to her own difficult feelings as a teen

In March 2021, six Asian women were killed in a mass shooting in Atlanta. Amy Wang, an Asian Australian writer and director, who emigrated to America in 2015, remembers that tragedy well. “It was the first time I felt genuinely unsafe here,” she says. Alongside a growing fear, childhood memories resurfaced – the internal and external racism and the exhaustion of never quite fitting in. “I moved to Australia when I was seven and didn’t speak English – it was a tough time for me,” she admits. And then there was one particular recurring thought. “There were many times when I’d wake up as a teenager and think to myself: ‘Wouldn’t life be easier if I were white?’” So, she turned that past feeling into art.

The art is Slanted, Wang’s audacious feature debut – a film whose premise is, by design, completely unhinged. An insecure Asian American high schooler undergoes a procedure at a mysterious cosmetics clinic called Ethnos (tagline: if you can’t beat them … be them ) that renders people of colour visibly white, permanently. It’s taking ‘I don’t see colour’ to the ultra-extreme: equality achieved only when we all look the same, and that means whiteness. The surgery works. And then things get complicated.

In director Amy Wang’s debut movie Slanted, a mysterious procedure allows people of colour to become white, speaking to her own difficult feelings as a teen

In March 2021, six Asian women were killed in a mass shooting in Atlanta. Amy Wang, an Asian Australian writer and director, who emigrated to America in 2015, remembers that tragedy well. “It was the first time I felt genuinely unsafe here,” she says. Alongside a growing fear, childhood memories resurfaced – the internal and external racism and the exhaustion of never quite fitting in. “I moved to Australia when I was seven and didn’t speak English – it was a tough time for me,” she admits. And then there was one particular recurring thought. “There were many times when I’d wake up as a teenager and think to myself: ‘Wouldn’t life be easier if I were white?’” So, she turned that past feeling into art.

The art is Slanted, Wang’s audacious feature debut – a film whose premise is, by design, completely unhinged. An insecure Asian American high schooler undergoes a procedure at a mysterious cosmetics clinic called Ethnos (tagline: if you can’t beat them … be them ) that renders people of colour visibly white, permanently. It’s taking ‘I don’t see colour’ to the ultra-extreme: equality achieved only when we all look the same, and that means whiteness. The surgery works. And then things get complicated.

The smash-hit period drama gets the Hollywood treatment as Cillian Murphy’s Tommy Shelby strides into 1940’s wartime Birmingham, while Hugh Jackman and Zen McGrath try to repair their fractured relationship

Whether the Birmingham-set period crime drama needed another outing after six series is a moot point, but Tommy Shelby is back to brood magnificently one final time. Creator Steven Knight and director Tom Harper keep things reassuringly familiar (glowering vistas, anachronistic songs, random acts of violence) but we’re now in 1940, and the Nazis are coming. While Tommy (Cillian Murphy) is holed up in a decaying mansion haunted by the ghosts of his past, his impetuous son and heir Duke (Barry Keoghan) forms an alliance with British fascist John Beckett (a cool Tim Roth) to flood the country with counterfeit currency. And only Tommy can stop them …
Friday 20 March, Netflix

The smash-hit period drama gets the Hollywood treatment as Cillian Murphy’s Tommy Shelby strides into 1940’s wartime Birmingham, while Hugh Jackman and Zen McGrath try to repair their fractured relationship

Whether the Birmingham-set period crime drama needed another outing after six series is a moot point, but Tommy Shelby is back to brood magnificently one final time. Creator Steven Knight and director Tom Harper keep things reassuringly familiar (glowering vistas, anachronistic songs, random acts of violence) but we’re now in 1940, and the Nazis are coming. While Tommy (Cillian Murphy) is holed up in a decaying mansion haunted by the ghosts of his past, his impetuous son and heir Duke (Barry Keoghan) forms an alliance with British fascist John Beckett (a cool Tim Roth) to flood the country with counterfeit currency. And only Tommy can stop them …
Friday 20 March, Netflix

The smash-hit period drama gets the Hollywood treatment as Cillian Murphy’s Tommy Shelby strides into 1940’s wartime Birmingham, while Hugh Jackman and Zen McGrath try to repair their fractured relationship

Whether the Birmingham-set period crime drama needed another outing after six series is a moot point, but Tommy Shelby is back to brood magnificently one final time. Creator Steven Knight and director Tom Harper keep things reassuringly familiar (glowering vistas, anachronistic songs, random acts of violence) but we’re now in 1940, and the Nazis are coming. While Tommy (Cillian Murphy) is holed up in a decaying mansion haunted by the ghosts of his past, his impetuous son and heir Duke (Barry Keoghan) forms an alliance with British fascist John Beckett (a cool Tim Roth) to flood the country with counterfeit currency. And only Tommy can stop them …
Friday 20 March, Netflix